The foundations upon which knowledge is organized and presented in both discipline-based and cultural literacy approaches to art education are addressed. It is argued that the foundations for these two approaches are a result of conflicting views on the standardization of curricula and the perceived need for achievement oriented evaluation; these in turn are reflective of a fundamental difference in beliefs and assumptions as to the nature of education
This paper examines the role of hybridity in culture as it relates to art education. Curriculum stra...
Human beings are greatly dependent upon social knowledge as a basis for directing their actions in t...
Carl Andre’s opposition between an activating art and a pacifying culture becomes the impetus for wi...
The concept of cultural literacy as a process of becoming socially empowered is developed. A compari...
The importance of differentiating between a discipline-based approach to art education and the presc...
Art educators are a subgroup within the larger culture whose role it is to communicate information a...
C.A. Bowers has proposed a perspective on educational theory and practice involving cultural literac...
Much of what we learn, we are not aware of -- it is at a taken-for-granted level. This learning is s...
In this paper the occupational role and options of art educators are examined with the discussion ge...
Historically, art education has been regarded differently from that of other academic subject matter...
Significant recent developments in Australian art education have moved away from a consideration of ...
It is argued that advocates of content-based art education and other art educators who are attemptin...
The importance of art programming which reflects, and is responsive to the diverse needs of students...
Given the range and subtlety of our cultural conditioning, art education must, of necessity, become ...
The ability to participate in cultural activities is generally considered a basic human right. Yet, ...
This paper examines the role of hybridity in culture as it relates to art education. Curriculum stra...
Human beings are greatly dependent upon social knowledge as a basis for directing their actions in t...
Carl Andre’s opposition between an activating art and a pacifying culture becomes the impetus for wi...
The concept of cultural literacy as a process of becoming socially empowered is developed. A compari...
The importance of differentiating between a discipline-based approach to art education and the presc...
Art educators are a subgroup within the larger culture whose role it is to communicate information a...
C.A. Bowers has proposed a perspective on educational theory and practice involving cultural literac...
Much of what we learn, we are not aware of -- it is at a taken-for-granted level. This learning is s...
In this paper the occupational role and options of art educators are examined with the discussion ge...
Historically, art education has been regarded differently from that of other academic subject matter...
Significant recent developments in Australian art education have moved away from a consideration of ...
It is argued that advocates of content-based art education and other art educators who are attemptin...
The importance of art programming which reflects, and is responsive to the diverse needs of students...
Given the range and subtlety of our cultural conditioning, art education must, of necessity, become ...
The ability to participate in cultural activities is generally considered a basic human right. Yet, ...
This paper examines the role of hybridity in culture as it relates to art education. Curriculum stra...
Human beings are greatly dependent upon social knowledge as a basis for directing their actions in t...
Carl Andre’s opposition between an activating art and a pacifying culture becomes the impetus for wi...