Guy Healy and Stuart Cunningham speak to six talented video makers about their prolific creative work, their participation in Screen Australia's Skip Ahead program, and whether they believe YouTube offers a viable career path for up-and-coming screen content producers
One essential reason for people to publish on the web is to express themselves freely. YouTube facil...
The explosion of online content creation is one of the contemporary wonders of the world but where i...
What might television and video look like in a year’s time, in a few years’ time, in a decade? We ca...
Now in its fifth year, Screen Australia's development initiative Skip Ahead continues to fulfill its...
This chapter looks over the horizon – at a major emerging global dynamic in screen culture in which ...
This chapter profiles three countries—India, Brazil, and Australia—where YouTube has been the common...
This study reveals distinctive new forms of screen industry convergence with deep implications for c...
Over the last decade, several professionalising amateur Australian content creators making popular w...
Ever heard of Mighty Car Mods? Or maybe RackaRacka? Or perhaps Veritasium? These are a few of the mo...
nack_at_uva.nl One essential reason for people to publish on the web is to express themselves freely...
This book tells the story of diverse online creators--women, ethnic and racial minorities, queer fol...
The global web series ecology today is vastly different to what it was only three or four years ago,...
Screen Australia\u27s Enterprise program external assessors Ian Jones and Jonathan Olsberg speak to ...
In recent years, YouTube has evolved from a platform of home videos and news media into a premiere p...
YouTube is one of the most well-known and widely discussed sites of participatory media in the conte...
One essential reason for people to publish on the web is to express themselves freely. YouTube facil...
The explosion of online content creation is one of the contemporary wonders of the world but where i...
What might television and video look like in a year’s time, in a few years’ time, in a decade? We ca...
Now in its fifth year, Screen Australia's development initiative Skip Ahead continues to fulfill its...
This chapter looks over the horizon – at a major emerging global dynamic in screen culture in which ...
This chapter profiles three countries—India, Brazil, and Australia—where YouTube has been the common...
This study reveals distinctive new forms of screen industry convergence with deep implications for c...
Over the last decade, several professionalising amateur Australian content creators making popular w...
Ever heard of Mighty Car Mods? Or maybe RackaRacka? Or perhaps Veritasium? These are a few of the mo...
nack_at_uva.nl One essential reason for people to publish on the web is to express themselves freely...
This book tells the story of diverse online creators--women, ethnic and racial minorities, queer fol...
The global web series ecology today is vastly different to what it was only three or four years ago,...
Screen Australia\u27s Enterprise program external assessors Ian Jones and Jonathan Olsberg speak to ...
In recent years, YouTube has evolved from a platform of home videos and news media into a premiere p...
YouTube is one of the most well-known and widely discussed sites of participatory media in the conte...
One essential reason for people to publish on the web is to express themselves freely. YouTube facil...
The explosion of online content creation is one of the contemporary wonders of the world but where i...
What might television and video look like in a year’s time, in a few years’ time, in a decade? We ca...