How we walk—or our inability to do so—is telling of who we have been. I propose this simple movement practice as a pedagogical engagement with the concept of faithful witnessing, which refers to attending to modes of power unbalance that might go unnoticed, and to people\u27s creative and resistant possibilities (Lugones, 2003; Figueroa-Vásquez, 2015). This activity is suggested to provoke reflections about how we understand and experience social difference and power unbalances. The work introduces a simple score (a creative prompt) to explore walking-with others, creating instructions to teach others our movement, learning others\u27, and delving into conversations concerning the layers embedded in such a simple exchange
In the following essay I tried to elaborate on the idea of a body as a thinker by explaining the phi...
In the following essay I tried to elaborate on the idea of a body as a thinker by explaining the phi...
When student perspectives, needs, and wants are left out of academic discourse, the discursive struc...
How we walk—or our inability to do so—is telling of who we have been. I propose this simple movement...
Witnessing is a crucial, defining mechanism of dance/movement therapy that demands physical awarenes...
After several years of experimenting with walking as a creative process and an artistic form, my com...
Walking is an everyday practice for able-bodied folk. Yet it can cultivate much more than getting yo...
My paper analyzes an aesth-ethics of bodies moving and feeling together via carrying-caring in ‘blin...
This workshop was based on many years of movement practices in theatre (with a specialized focus on ...
In this article I present an argument for `embodied ways of knowing' as an alternative epistemologic...
This session explores ways in which the practice of and context for walking can facilitate the shari...
This paper explores how the art of walking can foster learning through everyday observation and crea...
The present study explored 12 women’s experiences in five community-based improvisational movement s...
Narratives attached to walking practices, influenced by the Romantic, Naturalist and avant-garde mov...
Women Who Walk is a new network for women who use walking in their creative or academic practice. Th...
In the following essay I tried to elaborate on the idea of a body as a thinker by explaining the phi...
In the following essay I tried to elaborate on the idea of a body as a thinker by explaining the phi...
When student perspectives, needs, and wants are left out of academic discourse, the discursive struc...
How we walk—or our inability to do so—is telling of who we have been. I propose this simple movement...
Witnessing is a crucial, defining mechanism of dance/movement therapy that demands physical awarenes...
After several years of experimenting with walking as a creative process and an artistic form, my com...
Walking is an everyday practice for able-bodied folk. Yet it can cultivate much more than getting yo...
My paper analyzes an aesth-ethics of bodies moving and feeling together via carrying-caring in ‘blin...
This workshop was based on many years of movement practices in theatre (with a specialized focus on ...
In this article I present an argument for `embodied ways of knowing' as an alternative epistemologic...
This session explores ways in which the practice of and context for walking can facilitate the shari...
This paper explores how the art of walking can foster learning through everyday observation and crea...
The present study explored 12 women’s experiences in five community-based improvisational movement s...
Narratives attached to walking practices, influenced by the Romantic, Naturalist and avant-garde mov...
Women Who Walk is a new network for women who use walking in their creative or academic practice. Th...
In the following essay I tried to elaborate on the idea of a body as a thinker by explaining the phi...
In the following essay I tried to elaborate on the idea of a body as a thinker by explaining the phi...
When student perspectives, needs, and wants are left out of academic discourse, the discursive struc...