The change in lute playing from the monophonic ensemble style using the plectrum-plucking technique to the polyphonic solo style using the finger-plucking technique took place sometimein the mid 15th century. Once this had happened the performance of polyphonic compositions arranged for solo lute required the lutenist-composers' understanding of the counterpoint of thecomposition before it could be performed. The lutenist-composers needed to record what they composed and to remember it for future perfonnance. These requirements resulted in the invention of a notation system suitable for this purpose. Consequently several types of lute tablature were devised in the third and fourth quarters of the fifteenth century
Discussion in this dissertation is directed toward the lute, vihuela and guitar's notational systems...
After 1600, The Lute music flourished in France, especially at the reign of Louis XIII and the early...
peer-reviewedA 1984 performance of Sicut Cervus by Palestrina raised in this writer’s mind question...
The change in lute playing from the monophonic ensemble style using the plectrum-plucking technique ...
In part because of the complexities of the German tablature system, lute music preserved in manuscri...
Of the various periods in the lute's history, that which is chronologically closest to us - the 18th...
Of the various periods in the lute's history, that which is chronologically closest to us - the 18th...
Even though 16th-century instrumental sources offer little informa-tion regarding precise instrument...
This study examines English manuscripts of music for solo lute from between 1570 and 1630, the perio...
Background in musicology. The systematic investigation of historical repertories (such as that of th...
Early seventeenth century English lute manuscript culture, examined from textual, physical and histo...
A study of French-texted solo songs and duets with lute or guitar accompaniment notated in tablature...
Kurt Dorfmüller\u27s essay is from Le luth et sa musique, a volume of proceedings from the 1957 rese...
A study of French-texted solo songs and duets with lute or guitar accompaniment notated in tablature...
Kurt Dorfmüller\u27s essay is from Le luth et sa musique, a volume of proceedings from the 1957 rese...
Discussion in this dissertation is directed toward the lute, vihuela and guitar's notational systems...
After 1600, The Lute music flourished in France, especially at the reign of Louis XIII and the early...
peer-reviewedA 1984 performance of Sicut Cervus by Palestrina raised in this writer’s mind question...
The change in lute playing from the monophonic ensemble style using the plectrum-plucking technique ...
In part because of the complexities of the German tablature system, lute music preserved in manuscri...
Of the various periods in the lute's history, that which is chronologically closest to us - the 18th...
Of the various periods in the lute's history, that which is chronologically closest to us - the 18th...
Even though 16th-century instrumental sources offer little informa-tion regarding precise instrument...
This study examines English manuscripts of music for solo lute from between 1570 and 1630, the perio...
Background in musicology. The systematic investigation of historical repertories (such as that of th...
Early seventeenth century English lute manuscript culture, examined from textual, physical and histo...
A study of French-texted solo songs and duets with lute or guitar accompaniment notated in tablature...
Kurt Dorfmüller\u27s essay is from Le luth et sa musique, a volume of proceedings from the 1957 rese...
A study of French-texted solo songs and duets with lute or guitar accompaniment notated in tablature...
Kurt Dorfmüller\u27s essay is from Le luth et sa musique, a volume of proceedings from the 1957 rese...
Discussion in this dissertation is directed toward the lute, vihuela and guitar's notational systems...
After 1600, The Lute music flourished in France, especially at the reign of Louis XIII and the early...
peer-reviewedA 1984 performance of Sicut Cervus by Palestrina raised in this writer’s mind question...