This article identifies the private home in Los Angeles of the German silent movie director F.W. Murnau (1888-1931). It argues that the movie director's fascination with castle-like buildings existed long before Murnau was involved with movie making. Murnau's preferred type of domestic architecture--which the gay movie director associated with privacy--influenced the settings of many of his later movies. The article also identifies the likely site of Murnau's fatal car accident north of Santa Barbara, CA, in 1931
The article discusses the exile cinema of Czechoslovakia-born producer, director, and actor Hugo Haa...
In 1928 the wealthy aristocrat and patron of the arts Comte Charles de Noailles commissioned Man Ray...
This article studies the evolution of movie theatres in the city of Düsseldorf from 1920 to 1989, pa...
This article identifies the private home in Los Angeles of the German silent movie director F.W. Mur...
This small monograph on Friedrich Wilhelm Murnau's beautiful film "City Girl" (1930)—written in Germ...
This article is devoted to the history of the Metropol movie theater, which started its activity in ...
Impressive cinema palaces with exterior façades illuminated appealingly at night were significant fo...
Article: Motography Magazine; April 20, 1918, “New Paralta Studios Near Completion” Located on the n...
The built work of Erich Mendelsohn from 1918-1933, the years in which he practiced in Berlin, has be...
Magazine article: “Here’s a Hollywood Payroll—From Star to Prop Boy” – stars Richard Wallace and Gar...
THIS IS is a very curious novel, masquerading as a biography, about the German film director, F. W. ...
Ernst Lubitsch epitomized the transnationalism of the cinema in the 1920s as the first German direct...
This paper will explore constructs of architectonic space through the celebration of early German ci...
The evolution of movie theater spatiality was rarely dealt with in architecture history, and anecdot...
The movie industry, which sees itself as a mass product, tried to leave New York in the 1910s. This ...
The article discusses the exile cinema of Czechoslovakia-born producer, director, and actor Hugo Haa...
In 1928 the wealthy aristocrat and patron of the arts Comte Charles de Noailles commissioned Man Ray...
This article studies the evolution of movie theatres in the city of Düsseldorf from 1920 to 1989, pa...
This article identifies the private home in Los Angeles of the German silent movie director F.W. Mur...
This small monograph on Friedrich Wilhelm Murnau's beautiful film "City Girl" (1930)—written in Germ...
This article is devoted to the history of the Metropol movie theater, which started its activity in ...
Impressive cinema palaces with exterior façades illuminated appealingly at night were significant fo...
Article: Motography Magazine; April 20, 1918, “New Paralta Studios Near Completion” Located on the n...
The built work of Erich Mendelsohn from 1918-1933, the years in which he practiced in Berlin, has be...
Magazine article: “Here’s a Hollywood Payroll—From Star to Prop Boy” – stars Richard Wallace and Gar...
THIS IS is a very curious novel, masquerading as a biography, about the German film director, F. W. ...
Ernst Lubitsch epitomized the transnationalism of the cinema in the 1920s as the first German direct...
This paper will explore constructs of architectonic space through the celebration of early German ci...
The evolution of movie theater spatiality was rarely dealt with in architecture history, and anecdot...
The movie industry, which sees itself as a mass product, tried to leave New York in the 1910s. This ...
The article discusses the exile cinema of Czechoslovakia-born producer, director, and actor Hugo Haa...
In 1928 the wealthy aristocrat and patron of the arts Comte Charles de Noailles commissioned Man Ray...
This article studies the evolution of movie theatres in the city of Düsseldorf from 1920 to 1989, pa...