Add to ORKGDancers and scholars talk about the ways in which embodied research works, including observation, analysis, and interviewing, as well as the more familiar strategies of journaling and improving awareness of dancer process
When considering our society, where objectified beauty is prized, where extreme religion beliefs can...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
As a Dance Anthropologist, I use dance as a creative method to bring participants to tell their sto...
Dancers and scholars talk about the ways in which embodied research works, including observation, an...
This chapter discusses research undertaken for a PhD in dance, highlighting the oscillating and ambi...
The narrative of knowledge is almost always underpinned by the cognitive but how we know the world i...
As a scholar in a dance department, I am expected to produce words, not movement, scholarly research...
The Delphi method was used to investigate the use of dance and movement in knowledge dissemination b...
Contemporary dance is most often created through bodily explorations in the medium of movement. It i...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
Human has a formidable ability that can control his/her own body to perform numerous numbers of skil...
Since 1977-78, The USA National Dance Association (NDA) has selected one individual each year to rec...
In the last thirty years, there has been a surge of dance medicine and science research, relative to...
Organized sensitivity and reflex are the effects of the practices for many years, resulting in the d...
As choreographers, dancers, and researchers, the authors explain how choreography and self-reflectiv...
When considering our society, where objectified beauty is prized, where extreme religion beliefs can...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
As a Dance Anthropologist, I use dance as a creative method to bring participants to tell their sto...
Dancers and scholars talk about the ways in which embodied research works, including observation, an...
This chapter discusses research undertaken for a PhD in dance, highlighting the oscillating and ambi...
The narrative of knowledge is almost always underpinned by the cognitive but how we know the world i...
As a scholar in a dance department, I am expected to produce words, not movement, scholarly research...
The Delphi method was used to investigate the use of dance and movement in knowledge dissemination b...
Contemporary dance is most often created through bodily explorations in the medium of movement. It i...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
Human has a formidable ability that can control his/her own body to perform numerous numbers of skil...
Since 1977-78, The USA National Dance Association (NDA) has selected one individual each year to rec...
In the last thirty years, there has been a surge of dance medicine and science research, relative to...
Organized sensitivity and reflex are the effects of the practices for many years, resulting in the d...
As choreographers, dancers, and researchers, the authors explain how choreography and self-reflectiv...
When considering our society, where objectified beauty is prized, where extreme religion beliefs can...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
As a Dance Anthropologist, I use dance as a creative method to bring participants to tell their sto...