Expectation, or prediction, has become a major theme in cognitive science. Music offers a powerful system for studying how expectations are formed and deployed in the processing of richly structured sequences that unfold rapidly in time. We ask to what extent expectations about an upcoming note in a melody are driven by two distinct factors: Gestalt-like principles grounded in the auditory system (e.g.a preference for subsequent notes to move in small intervals), and statistical learning of melodic structure. We use multinomial regression modeling to evaluate the predictions of computationally implemented models of melodic expectation against behavioral data from a musical cloze task, in which participants hear a novel melodic opening and a...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Expectation, or prediction, has become a major theme in cognitive science. Music offers a powerful s...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
The ongoing generation of expectations is fundamental to listeners' experience of music, but researc...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
Melodic expectations are important in creating patterns of tension and relaxation. The way expectati...
Abstract Two experiments explored the relation between melodic expectancy and melodic memory. In Exp...
This project investigated the statistical learning of musical expectancy. As a secondary goal, the e...
The online processing of both music and language involves making predictions about upcoming material...
This dissertation utilizes a multi-method approach to investigate the processes underlying musical l...
The Implication-Realization (IR) theory (Narmour, 1990) posits two cognitive systems involved in the...
Engineering and Physical Sciences Research Council (EPSRC) funding via grant EP/M000702/1
It has been argued that children implicitly acquire the rules relating to the structure of music in ...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Expectation, or prediction, has become a major theme in cognitive science. Music offers a powerful s...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
The ongoing generation of expectations is fundamental to listeners' experience of music, but researc...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
Melodic expectations are important in creating patterns of tension and relaxation. The way expectati...
Abstract Two experiments explored the relation between melodic expectancy and melodic memory. In Exp...
This project investigated the statistical learning of musical expectancy. As a secondary goal, the e...
The online processing of both music and language involves making predictions about upcoming material...
This dissertation utilizes a multi-method approach to investigate the processes underlying musical l...
The Implication-Realization (IR) theory (Narmour, 1990) posits two cognitive systems involved in the...
Engineering and Physical Sciences Research Council (EPSRC) funding via grant EP/M000702/1
It has been argued that children implicitly acquire the rules relating to the structure of music in ...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
The information content of each successive note in a piece of music is not an intrinsic musical prop...