This dissertation will explore the nostalgic fantasy worlds created by rock musicians at the start of the seventies. While popular culture of the entire decade saw a huge explosion of interest in the past, these early years of the decade are particularly interesting because they reveal a generation disillusioned with the sixties’ utopian idealism and yet not ready to abandon all hope in the future ahead. Theorizing nostalgia, medievalism, cultural memory and fantasy, I will examine how the imaginary spaces created by rock musicians of this era function as complex nostalgic expressions, articulating present values and needs. Looking at uses of the past in this pivotal moment, we see not only a complex of events and objects, but also the netw...