Under the heading »The technology as participant« Tranholm discusses the role of technology in The Wooster Group’s work with Hamlet (2007). She argues that the juxtaposition of the technological and the living sets off a critical reflection on the production of meaning and images in the performanc
Erik Exe Christoffersen skriver om dramaturgier i relation til Ur-Hamlet (2006) og Medeas bryllup (2...
Oppgavens undertittel "monster teater" henspiller på kunstneren Matthew Causeys manifest for samtide...
Hustvedt analyses and discusses two different theatre pedagogical strategies for the staging of so c...
Exploring theatricality as a concept of difference, Erik Exe Christoffersen shows how theatricality ...
Kirsten Hastrup: Theatre’s Space. An Analysis of the Stage in the World of Shakespeare In this artic...
Christoffersen analyses a theatrical production process he conducted with university students. The a...
Sammanfattning Redelius Johanna (2005) Teaterproduktion - nyckeln till utveckling? Theatre productio...
This paper will look at Wooster Group’s production of Hamlet (2009), a piece that engenders post-cin...
Detta arbete syftar till att undersöka de relationer som uppstår mellan teaterrekvisita, skådespelar...
Denne masteroppgaven undersøker den digitale audiovisuelle teknologiens dramaturgiske potensialer i ...
The article deals with the relationship between actors/singers and spectators in mediatized versions...
This article presents an overview of different bodies of research in the field of theatre science. A...
Dette særnummer af Peripeti omhandler Odin Teatrets dramaturgi med udgangspunkt i forestillingerne U...
Shakespeares Hamlet ble skrevet for 400 år siden. En filmatisering av dramateksten er derfor ikke ba...
In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship betw...
Erik Exe Christoffersen skriver om dramaturgier i relation til Ur-Hamlet (2006) og Medeas bryllup (2...
Oppgavens undertittel "monster teater" henspiller på kunstneren Matthew Causeys manifest for samtide...
Hustvedt analyses and discusses two different theatre pedagogical strategies for the staging of so c...
Exploring theatricality as a concept of difference, Erik Exe Christoffersen shows how theatricality ...
Kirsten Hastrup: Theatre’s Space. An Analysis of the Stage in the World of Shakespeare In this artic...
Christoffersen analyses a theatrical production process he conducted with university students. The a...
Sammanfattning Redelius Johanna (2005) Teaterproduktion - nyckeln till utveckling? Theatre productio...
This paper will look at Wooster Group’s production of Hamlet (2009), a piece that engenders post-cin...
Detta arbete syftar till att undersöka de relationer som uppstår mellan teaterrekvisita, skådespelar...
Denne masteroppgaven undersøker den digitale audiovisuelle teknologiens dramaturgiske potensialer i ...
The article deals with the relationship between actors/singers and spectators in mediatized versions...
This article presents an overview of different bodies of research in the field of theatre science. A...
Dette særnummer af Peripeti omhandler Odin Teatrets dramaturgi med udgangspunkt i forestillingerne U...
Shakespeares Hamlet ble skrevet for 400 år siden. En filmatisering av dramateksten er derfor ikke ba...
In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship betw...
Erik Exe Christoffersen skriver om dramaturgier i relation til Ur-Hamlet (2006) og Medeas bryllup (2...
Oppgavens undertittel "monster teater" henspiller på kunstneren Matthew Causeys manifest for samtide...
Hustvedt analyses and discusses two different theatre pedagogical strategies for the staging of so c...