Add to ORKGThe article deals with the relationship between actors/singers and spectators in mediatized versions of theatreand opera. A critical survey of these new genres constitutes the basis for a theoretical discussion about theliveness of theatrical experience, with references to texts by Auslander, Benjamin and Fischer-Lichte
The German professor of Theatre Studies argues for the necessity of educating dramaturgs with an ope...
Denne teksten ble skrevet som et 30-minutters seminarinnlegg til fagdagen Dramaturgi i praksis, arra...
Costume driven performances. Costumes generative and performative potentialsThis article examines co...
Exploring theatricality as a concept of difference, Erik Exe Christoffersen shows how theatricality ...
Publikumsdeltagelse gjør at skillet mellom teater og sosial hendelse viskes ut, noe som utfordrer te...
Theatre, Time, and Tendencies Contemporary reflections on historical accounts of performing arts in ...
Kirsten Hastrup: Theatre’s Space. An Analysis of the Stage in the World of Shakespeare In this artic...
This article examines in theory and by the analysis of three productions whether a non-professional ...
Anmeldelse af operaen Et Dukkehjem med tekst efter Henrik Ibsen og musik af JOhn Frandsen, opført på...
This article presents an overview of different bodies of research in the field of theatre science. A...
Hvilken rolle spiller musikken for å utdype og moderere handling, tematikk og personkarakteristikker...
Nogle teoretiske fremstillinger og eksempler på remedialisering. Remediering er i vores senmoderne&n...
Through an analysis of the performance Gardenia the article discusses the negotiation between aesthe...
Todagersseminaret Occupying opera, renewing the form through co-creation with young performers var e...
In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship betw...
The German professor of Theatre Studies argues for the necessity of educating dramaturgs with an ope...
Denne teksten ble skrevet som et 30-minutters seminarinnlegg til fagdagen Dramaturgi i praksis, arra...
Costume driven performances. Costumes generative and performative potentialsThis article examines co...
Exploring theatricality as a concept of difference, Erik Exe Christoffersen shows how theatricality ...
Publikumsdeltagelse gjør at skillet mellom teater og sosial hendelse viskes ut, noe som utfordrer te...
Theatre, Time, and Tendencies Contemporary reflections on historical accounts of performing arts in ...
Kirsten Hastrup: Theatre’s Space. An Analysis of the Stage in the World of Shakespeare In this artic...
This article examines in theory and by the analysis of three productions whether a non-professional ...
Anmeldelse af operaen Et Dukkehjem med tekst efter Henrik Ibsen og musik af JOhn Frandsen, opført på...
This article presents an overview of different bodies of research in the field of theatre science. A...
Hvilken rolle spiller musikken for å utdype og moderere handling, tematikk og personkarakteristikker...
Nogle teoretiske fremstillinger og eksempler på remedialisering. Remediering er i vores senmoderne&n...
Through an analysis of the performance Gardenia the article discusses the negotiation between aesthe...
Todagersseminaret Occupying opera, renewing the form through co-creation with young performers var e...
In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship betw...
The German professor of Theatre Studies argues for the necessity of educating dramaturgs with an ope...
Denne teksten ble skrevet som et 30-minutters seminarinnlegg til fagdagen Dramaturgi i praksis, arra...
Costume driven performances. Costumes generative and performative potentialsThis article examines co...