Prompted by Heidegger\u27s search for great art in the modern times, this paper looks into crafts as answering the philosopher\u27s frustrated call. Using Soetsu Yanagi\u27s idea of a religion of beauty, which turns to the ordinary as beautiful, it suggests that crafts - carefully made by hand while considering its affinity with nature and the human body that uses it - is a way of being, the way Heidegger described the way of dwelling poetically. Copyright 2012. C & E Publishing, Inc. All rights reserved
The Truth Of Carousing Peasants Becomes Disclosed In this paper, I attempt to reconstruct the centra...
In the history of sartorial reflection, the usual offerings for human motivations to dress are: prot...
Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze a...
Prompted by Heidegger\u27s search for great art in the modern times, this paper looks into crafts as...
Martin Heidegger broadened the meaning of art to a truth-disclosing event akin to seemingly disparat...
My bold suggestions in this paper, as an artisan-anthropologist-therapist, are as follows: (a) human...
The present text explores, based on Hegel’s observations, the development of crafts within modern cu...
In the ‘Addendum’ to ‘The Origin of the Work of Art’, Heidegger tells us that art belongs to ‘approp...
This paper examines the unique structures of identity formation within the craftsperson/maker mindse...
This paper is about my relationship to the material clay, and how it has affected my creative proces...
What does it mean to create a beautiful thing? What is the beauty of making? This paper explores the...
This paper questioned how we could utilise feelings of joy, specifically those within a craft contex...
Many theoretical writings on aesthetics and politics rely on hard distinctions between what is and i...
ALTHOUGH THE distinction between art and craft enters the history of aesthetic thought at a fairly l...
A diverse and profoundly transformable material, clay offers new designers and artists the possibili...
The Truth Of Carousing Peasants Becomes Disclosed In this paper, I attempt to reconstruct the centra...
In the history of sartorial reflection, the usual offerings for human motivations to dress are: prot...
Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze a...
Prompted by Heidegger\u27s search for great art in the modern times, this paper looks into crafts as...
Martin Heidegger broadened the meaning of art to a truth-disclosing event akin to seemingly disparat...
My bold suggestions in this paper, as an artisan-anthropologist-therapist, are as follows: (a) human...
The present text explores, based on Hegel’s observations, the development of crafts within modern cu...
In the ‘Addendum’ to ‘The Origin of the Work of Art’, Heidegger tells us that art belongs to ‘approp...
This paper examines the unique structures of identity formation within the craftsperson/maker mindse...
This paper is about my relationship to the material clay, and how it has affected my creative proces...
What does it mean to create a beautiful thing? What is the beauty of making? This paper explores the...
This paper questioned how we could utilise feelings of joy, specifically those within a craft contex...
Many theoretical writings on aesthetics and politics rely on hard distinctions between what is and i...
ALTHOUGH THE distinction between art and craft enters the history of aesthetic thought at a fairly l...
A diverse and profoundly transformable material, clay offers new designers and artists the possibili...
The Truth Of Carousing Peasants Becomes Disclosed In this paper, I attempt to reconstruct the centra...
In the history of sartorial reflection, the usual offerings for human motivations to dress are: prot...
Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze a...