Frottole: Libro secondo, published in 1505 by Ottaviano Petrucci, is a pristine example of northern Italian musical culture. The print is a collection of fity-three frottole—poetry set to music in a specifically Italian conciet—that provides us with a unique glimpse into the socio-economic climate of the High Italian Renaissance through the perspective of popular music. This thesis explores the history and impac frottole had on European musical culture and provides a more specific discussion on the document and complete modern transcription with critical commentary. This comprehensive but concise edition makes sixteenth-century music accessible for modern scholarship and practical use
The Convito Musicale, perhaps more than any other of Orazio Vecchi's works, expresses the fullness o...
The Venetian publisher Ottaviano Pecrucci's petition of 1498, submitted to the Dogeand the Signory o...
Silvestro Ganassi’s Fontegara (Venice 1535) has long challenged our understanding of the sixteenth-c...
The Italian frottola, popular within Northern Italian communities at the end of the 1400s and the be...
The doctoral thesis consists in the collection and study of the specificity of texts and intonations...
L'edizione critica, che rientra nelle pubblicazioni promosse dal Comitato per la Pubblicazioni di Fo...
L\u2019edizione critica del corpus frottolistico di Ottaviano Petrucci (1504-1514) intende mettere a...
Ottaviano Petrucci published his first book of music, the Odhecaton A, sometime in the summer of 150...
This thesis examines the context, manufacture and content of the Italian printer Ottaviano de Petrac...
Producción Científica1602 is a landmark year in the history of music in Italy, the year in which Giu...
In the decades that followed the Council of Trent Italian composers set at least a thousand differen...
none1noThe volume comprises a complete edition of the large manuscript Panciatichi 27, compiled at t...
The volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th...
A minor Conventual friar active at several centers in Northern Italy, Giovanni Ghizzolo was a versat...
The subject of the present study, Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, ...
The Convito Musicale, perhaps more than any other of Orazio Vecchi's works, expresses the fullness o...
The Venetian publisher Ottaviano Pecrucci's petition of 1498, submitted to the Dogeand the Signory o...
Silvestro Ganassi’s Fontegara (Venice 1535) has long challenged our understanding of the sixteenth-c...
The Italian frottola, popular within Northern Italian communities at the end of the 1400s and the be...
The doctoral thesis consists in the collection and study of the specificity of texts and intonations...
L'edizione critica, che rientra nelle pubblicazioni promosse dal Comitato per la Pubblicazioni di Fo...
L\u2019edizione critica del corpus frottolistico di Ottaviano Petrucci (1504-1514) intende mettere a...
Ottaviano Petrucci published his first book of music, the Odhecaton A, sometime in the summer of 150...
This thesis examines the context, manufacture and content of the Italian printer Ottaviano de Petrac...
Producción Científica1602 is a landmark year in the history of music in Italy, the year in which Giu...
In the decades that followed the Council of Trent Italian composers set at least a thousand differen...
none1noThe volume comprises a complete edition of the large manuscript Panciatichi 27, compiled at t...
The volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th...
A minor Conventual friar active at several centers in Northern Italy, Giovanni Ghizzolo was a versat...
The subject of the present study, Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, ...
The Convito Musicale, perhaps more than any other of Orazio Vecchi's works, expresses the fullness o...
The Venetian publisher Ottaviano Pecrucci's petition of 1498, submitted to the Dogeand the Signory o...
Silvestro Ganassi’s Fontegara (Venice 1535) has long challenged our understanding of the sixteenth-c...