Stuart Hall states that in contemporary societies an authentic popular culture is not disentangled from mass culture. This implies the demand to simultaneously observe practices, experiences and media representations, not as isolated elements but in the core of the articulated interfaces of power. Popular-mass culture puts together, in the moment of circulation, representational processes and those of the singularized popular appropriation as well. The approach to the subject is then a complex and demanding one in terms of the multiplicity of analytical tools required. This paper proposes to make a revision of some contributions that may densify the theoretical and methodological frames in order to renovate and update the Studies in Popular...