Add to ORKGCemil Egeli previously worked as a researcher on the flagship arts TV programme 'The South Bank Show' (then broadcast on ITV), where in 2001 Judith Weir received the prestigious music award for her choral and orchestral work, We Are Shadows. Some 20 years later, Judith Weir has very kindly agreed to him posing some interview questions
Musicologist Carol Oja is interviewed about her life and career, which focused on 20th-century Ameri...
The following text is an interview between me and two members of staff at Writtle School of Design, ...
In attempting to understand the difficulties raised by Judith Becker’s experiences with crossing b...
This part of the interview focuses on Judith Weir and her relationship with the British Tradition an...
Most accounts of Judith Weir’s music focus on her mature, apparently postmodern approach. By contras...
Tässä opinnäytetyössä raportoin ensimmäisissä luvuissa prosessista, jonka lopputuloksena järjestin k...
The song cycle, woman.life.song, by Judith Weir, is a unique composition because it was a collaborat...
Through examining Judith Weir’s woman.life.song (2000), the work presented in this written reflectio...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
Interview with educational researcher, Damien Sagrillo Linked to the Academy’s research program, ...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
International audienceGeorgina Born is Professor of Music and Anthropology at Oxford University. Her...
Clíona Doris is Head of Orchestral Studies at DIT Conservatory of Music and Drama in Dublin. She is ...
Chair of Music Education at the UCL Institute of Education, University College London, Professor Wel...
It is with great pride that I introduce a new section in this issue of Min-Ad: Israel Studies in Mus...
Musicologist Carol Oja is interviewed about her life and career, which focused on 20th-century Ameri...
The following text is an interview between me and two members of staff at Writtle School of Design, ...
In attempting to understand the difficulties raised by Judith Becker’s experiences with crossing b...
This part of the interview focuses on Judith Weir and her relationship with the British Tradition an...
Most accounts of Judith Weir’s music focus on her mature, apparently postmodern approach. By contras...
Tässä opinnäytetyössä raportoin ensimmäisissä luvuissa prosessista, jonka lopputuloksena järjestin k...
The song cycle, woman.life.song, by Judith Weir, is a unique composition because it was a collaborat...
Through examining Judith Weir’s woman.life.song (2000), the work presented in this written reflectio...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
Interview with educational researcher, Damien Sagrillo Linked to the Academy’s research program, ...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
International audienceGeorgina Born is Professor of Music and Anthropology at Oxford University. Her...
Clíona Doris is Head of Orchestral Studies at DIT Conservatory of Music and Drama in Dublin. She is ...
Chair of Music Education at the UCL Institute of Education, University College London, Professor Wel...
It is with great pride that I introduce a new section in this issue of Min-Ad: Israel Studies in Mus...
Musicologist Carol Oja is interviewed about her life and career, which focused on 20th-century Ameri...
The following text is an interview between me and two members of staff at Writtle School of Design, ...
In attempting to understand the difficulties raised by Judith Becker’s experiences with crossing b...