Part I of this paper discusses the characteristics that make literary characters especially difficult to protect. Part II describes the historical treatment of literary characters and the two main tests used to determine whether they are entitled to independent copyright protection. Part III demonstrates that the two tests currently used are not adequate tools for determining when copyright law protects literary characters. Part IV explores the possibility of using trademark and unfair competition laws to offer partial protection to fictional characters. Part V presents an argument that literary characters do not need independent protection because they are already sufficiently protected by the copyright in the original work when supplement...
Postacie fikcyjne przedstawiają znaczną wartość zarówno dla twórców dzieł literackich, jak i ich odb...
Fictional characters under UK copyright law currently face complex issues and uncertainties. As 2024...
Whether a producer\u27s copyright in human audiovisual characters preempts the actors\u27 rights of ...
Literary characters are protected within the copyright of the original work in which they appear, bu...
Copyright law provides writers with a way to protect their original works of authorship, but courts ...
Fictional characters are the backbone of the multi-billion dollar entertainment industry. Since the ...
Fictional characters have become exceptionally valuable assets, now consistently the subject of lucr...
LL.M. (Commercial Law)This research will consider to what extent fictional characters may be protect...
Fictional characters have a gigantic commercial and social appeal. Fans create fanfiction and other ...
What do pictures want? Echoing the famous question posed by art historian W.J.T. Mitchell, this arti...
Copyright law protects expressions of ideas, but not the idea itself. Legal disputes over characters...
There is a renewed interest in the United States in Japanese Copyright law. Specifically, new attent...
Copyright is one of the IPR branches that protect the human’s intellectual work in the field of scie...
Section I of this Note presents the history and purpose of copyright law by giving a brief backgroun...
Different IP rights are available for the protection of fictional characters. As far as copyright is...
Postacie fikcyjne przedstawiają znaczną wartość zarówno dla twórców dzieł literackich, jak i ich odb...
Fictional characters under UK copyright law currently face complex issues and uncertainties. As 2024...
Whether a producer\u27s copyright in human audiovisual characters preempts the actors\u27 rights of ...
Literary characters are protected within the copyright of the original work in which they appear, bu...
Copyright law provides writers with a way to protect their original works of authorship, but courts ...
Fictional characters are the backbone of the multi-billion dollar entertainment industry. Since the ...
Fictional characters have become exceptionally valuable assets, now consistently the subject of lucr...
LL.M. (Commercial Law)This research will consider to what extent fictional characters may be protect...
Fictional characters have a gigantic commercial and social appeal. Fans create fanfiction and other ...
What do pictures want? Echoing the famous question posed by art historian W.J.T. Mitchell, this arti...
Copyright law protects expressions of ideas, but not the idea itself. Legal disputes over characters...
There is a renewed interest in the United States in Japanese Copyright law. Specifically, new attent...
Copyright is one of the IPR branches that protect the human’s intellectual work in the field of scie...
Section I of this Note presents the history and purpose of copyright law by giving a brief backgroun...
Different IP rights are available for the protection of fictional characters. As far as copyright is...
Postacie fikcyjne przedstawiają znaczną wartość zarówno dla twórców dzieł literackich, jak i ich odb...
Fictional characters under UK copyright law currently face complex issues and uncertainties. As 2024...
Whether a producer\u27s copyright in human audiovisual characters preempts the actors\u27 rights of ...