The haku is a shawl indispensable for depicting the lives of women and men in several districts of the department of Hunuco, in north central Peru. It is used daily in rural tasks and domestic life, and it shines during public festivals as a clear representation of local identity. The skill of the spinners in achieving an exceptionally fine yarn makes the serene beauty of these handsome cloths of a single, even color stand out. Almost transparent, the four-selvage cloth is woven on a backstrap loom of native cotton or of sheep’s wool diverse in hue. The mark of the presence of Spanish obrajes in this region can be observed in tools and practices which, however, do not discard older technological traditions based in ancestral logics. The lo...
In studying the past, archaeologists examine change and continuity over time, but physical processes...
Many weavers living near Cuzco, Peru are reviving the use of natural dyes in their traditional texti...
indigenous Shipibo communities. In Part One, we will describe our work with a 1952 film on the Shipi...
The haku is a shawl indispensable for depicting the lives of women and men in several districts of t...
Quechua Weavings as living art in the Andes today represent the contemporary textiles as result of t...
In recent years in Perú, a number of initiatives have been independently developed by collective gro...
Andean textile tradition is rich with symbolism demonstrating the close ties of Quechua speaking peo...
In Aymara culture, textiles have played a fundamental role as highly valued community possessions an...
Textile arts in the Andean region have long been experiencing a decline. The success of the Jalq\u27...
An elegantly dressed woman, wearing the handwoven clothing characteristic of her ethnic group, stand...
Wool weaving has been practiced in the Venezuelan Andean region for centuries, specifically at the P...
This presentation examines the living tradition of hand-spinning wool for garment cloth in Ladakh, N...
The goal of this thesis is to investigate a single textile assemblage from on site is homogeneously ...
In studying the past, archaeologists examine change and continuity over time, but physical processes...
The textile artifact, although framed by its physical existence, is not an isolated entity, but func...
In studying the past, archaeologists examine change and continuity over time, but physical processes...
Many weavers living near Cuzco, Peru are reviving the use of natural dyes in their traditional texti...
indigenous Shipibo communities. In Part One, we will describe our work with a 1952 film on the Shipi...
The haku is a shawl indispensable for depicting the lives of women and men in several districts of t...
Quechua Weavings as living art in the Andes today represent the contemporary textiles as result of t...
In recent years in Perú, a number of initiatives have been independently developed by collective gro...
Andean textile tradition is rich with symbolism demonstrating the close ties of Quechua speaking peo...
In Aymara culture, textiles have played a fundamental role as highly valued community possessions an...
Textile arts in the Andean region have long been experiencing a decline. The success of the Jalq\u27...
An elegantly dressed woman, wearing the handwoven clothing characteristic of her ethnic group, stand...
Wool weaving has been practiced in the Venezuelan Andean region for centuries, specifically at the P...
This presentation examines the living tradition of hand-spinning wool for garment cloth in Ladakh, N...
The goal of this thesis is to investigate a single textile assemblage from on site is homogeneously ...
In studying the past, archaeologists examine change and continuity over time, but physical processes...
The textile artifact, although framed by its physical existence, is not an isolated entity, but func...
In studying the past, archaeologists examine change and continuity over time, but physical processes...
Many weavers living near Cuzco, Peru are reviving the use of natural dyes in their traditional texti...
indigenous Shipibo communities. In Part One, we will describe our work with a 1952 film on the Shipi...