This paper focuses on the role of fashion as a transcultural system that expresses tensions, hybridizations and translations across body languages in the context of the contemporary hyper-connected world. The methodology is founded on Fashion Theory conception of fashion as a system of meaning within which both cultural and aesthetic representations of the clothed body are produced. Since its origins, in the last decades of the Twentieth century, Fashion Theory has questioned the genealogy of the forms of the clothed body in different eras and different places of the world, as well as the cultural, social and economic processes that allow those forms to fully affirm themselves as “fashion”. Furthermore, the theoretical pledge of Fashion The...