In this chapter we explore two important questions that we believe should be central to any discussion of the ethics and politics of cultural heritage: What are the harms associated with appropriation and commodification, specifically where the heritage of Indigenous peoples is concerned? And how can these harms best be avoided? Archaeological concerns animate this discussion; we are ultimately concerned with fostering postcolonial archaeological practices. But we situate these questions in a broader context, addressing them as they arise in connection with the appropriation of Indigenous cultural heritage, both past and present
As textile makers and researchers, we value the indigenous cultural wealth represented in the extrao...
This theoretically innovative anthology investigates the problematic linkages between conserving cul...
People and cultures have always exchanged and borrowed ideas from each other to create new forms of ...
In this chapter we explore two important questions that we believe should be central to any discussi...
Is there something morally wrong with cultural appropriation in the arts? I argue that the little ph...
The scale, scope, and kinds of things that can be commoditized are expanding in the global framework...
International audienceResult of a collaboration between two former students from the National Museum...
In light of increasing social unrest and wars around the globe, a growing number of not-fo...
Over the past century, our understanding of cultural heritage has evolved, and now, heritage is seen...
This article addresses the clash between Western and Indigenous understandings of how cultural herit...
This presentation explores the story of appropriation, the often-fervent debates it has engendered, ...
While modern indigenous artists, and especially collectives, have been able to resort to traditional...
This paper examines the protection of indigenous peoples’ intangible heritage at the international l...
This paper, following on Michael F. Brown\u27s Who Owns Native Culture?, suggests that intellectual ...
This fact sheet introduces the issues raised by the appropriation and commodification of cultural he...
As textile makers and researchers, we value the indigenous cultural wealth represented in the extrao...
This theoretically innovative anthology investigates the problematic linkages between conserving cul...
People and cultures have always exchanged and borrowed ideas from each other to create new forms of ...
In this chapter we explore two important questions that we believe should be central to any discussi...
Is there something morally wrong with cultural appropriation in the arts? I argue that the little ph...
The scale, scope, and kinds of things that can be commoditized are expanding in the global framework...
International audienceResult of a collaboration between two former students from the National Museum...
In light of increasing social unrest and wars around the globe, a growing number of not-fo...
Over the past century, our understanding of cultural heritage has evolved, and now, heritage is seen...
This article addresses the clash between Western and Indigenous understandings of how cultural herit...
This presentation explores the story of appropriation, the often-fervent debates it has engendered, ...
While modern indigenous artists, and especially collectives, have been able to resort to traditional...
This paper examines the protection of indigenous peoples’ intangible heritage at the international l...
This paper, following on Michael F. Brown\u27s Who Owns Native Culture?, suggests that intellectual ...
This fact sheet introduces the issues raised by the appropriation and commodification of cultural he...
As textile makers and researchers, we value the indigenous cultural wealth represented in the extrao...
This theoretically innovative anthology investigates the problematic linkages between conserving cul...
People and cultures have always exchanged and borrowed ideas from each other to create new forms of ...