As textile makers and researchers, we value the indigenous cultural wealth represented in the extraordinary array of textiles available to us through current worldwide channels. For millennia, textiles have been an effective vehicle for cultural intersection and exchange; traditions, materials, motifs, techniques, words, and beliefs are adopted, extended, and enriched by the meeting of peoples. Increasingly-and particularly with the advent of “fast fashion”-textile styles and motifs are being widely appreciated, and subsequently appropriated, without acknowledgement or compensation to the culture from which they derived. Is it possible to create productive collaboration across cultures without exhausting or dispossessing the custodians of t...
Consumption is one way individuals effectively deal with their feelings of anomie, or social instabi...
People and cultures have always exchanged and borrowed ideas from each other to create new forms of ...
If textiles serve as records of a culture’s history and values, how should we approach and evaluate ...
As textile makers and researchers, we value the indigenous cultural wealth represented in the extrao...
This paper investigates the material and visual characteristics of certain ancient and historical te...
In this chapter we explore two important questions that we believe should be central to any discussi...
In Fashion and Cultural Studies, Susan Kaiser asks if cultural appropriation can be seen as “a somew...
Weavings and their techniques and attributes, have constantly crossed cultural boundaries whether al...
This proposal is for a joint presentation by professor and graduate student critically appraising th...
In modern, Westernized society, we are often fascinated by cultures that differ from our own. The we...
For centuries, fashion designers, music artists and other celebrities alike have borrowed elements o...
The protection of folklore is contentious. This stems from differing perceptions of the meaning and ...
Although founded on European assumptions of fine art, fiber art is equally grounded in textile tradi...
Culturally inspired fashion is defined as contemporary clothing inspired by a cultural aesthetic, fo...
Textiles touch all our lives – from the cradle to the grave – and serve increasingly diverse purpose...
Consumption is one way individuals effectively deal with their feelings of anomie, or social instabi...
People and cultures have always exchanged and borrowed ideas from each other to create new forms of ...
If textiles serve as records of a culture’s history and values, how should we approach and evaluate ...
As textile makers and researchers, we value the indigenous cultural wealth represented in the extrao...
This paper investigates the material and visual characteristics of certain ancient and historical te...
In this chapter we explore two important questions that we believe should be central to any discussi...
In Fashion and Cultural Studies, Susan Kaiser asks if cultural appropriation can be seen as “a somew...
Weavings and their techniques and attributes, have constantly crossed cultural boundaries whether al...
This proposal is for a joint presentation by professor and graduate student critically appraising th...
In modern, Westernized society, we are often fascinated by cultures that differ from our own. The we...
For centuries, fashion designers, music artists and other celebrities alike have borrowed elements o...
The protection of folklore is contentious. This stems from differing perceptions of the meaning and ...
Although founded on European assumptions of fine art, fiber art is equally grounded in textile tradi...
Culturally inspired fashion is defined as contemporary clothing inspired by a cultural aesthetic, fo...
Textiles touch all our lives – from the cradle to the grave – and serve increasingly diverse purpose...
Consumption is one way individuals effectively deal with their feelings of anomie, or social instabi...
People and cultures have always exchanged and borrowed ideas from each other to create new forms of ...
If textiles serve as records of a culture’s history and values, how should we approach and evaluate ...