Aligning reality TV (RTV) with social networking sites (SNSs) enables the development of a geneology in the use of surveillance for displays of the self. By moving from “older” media such as TV to “newer” such as SNSs, we gain insight into how issues at stake for critical scholars studying surveillance practices shift when the spaces (and practices) of surveillance change. We bring into conversation work in surveillance studies, critical media studies, RTV, and new media, emphasizing the necessity of seeing connections between types of surveilled subjectivity in popular media as these contribute to a larger ethos about surveillance, subjectivity, data, and our engagement with the world. We suggest that Facebook brackets practices for synthe...
'Social media’ like Facebook or Twitter have become tremendously popular in recent years. Their popu...
The era we are living in is the one where we are exposed to a massive attraction of social connectiv...
Surveillance Studies often look at cultural products as pedagogical or heuristic devices, as if they...
Aligning reality TV (RTV) with social networking sites (SNSs) enables the development of a geneology...
In an information economy that is built upon participatory surveillance-based entertainment, we are ...
Contemporary media outlets call upon an increasingly interactive engagement from audiences. Reality ...
This article examines changing rules and regimes of visibility on social media, using Facebook as a ...
In the expanding field of communication, Facebook holds a dubious position as both friend and foe. H...
This paper aims to develop knowledge about the complicated ways in which the modern individual uses ...
The paper concentrates on the general trend of extending the surveillance as it is nicely captured i...
Starting from the premise that surveillance is the ‘dominant organising practice’ of our time (Lyon ...
Reality TV is a ubiquitous form of entertainment with many sub-genres that explore and address a var...
Social cognitive theory suggests a likely relationship between behavior mod-eled on increasingly pop...
Rachel E. Dubrofsky examines the reality TV series The Bachelor and The Bachelorette in one of the f...
The purpose of the thesis is to understand how users of Facebook relate to what they publish and to ...
'Social media’ like Facebook or Twitter have become tremendously popular in recent years. Their popu...
The era we are living in is the one where we are exposed to a massive attraction of social connectiv...
Surveillance Studies often look at cultural products as pedagogical or heuristic devices, as if they...
Aligning reality TV (RTV) with social networking sites (SNSs) enables the development of a geneology...
In an information economy that is built upon participatory surveillance-based entertainment, we are ...
Contemporary media outlets call upon an increasingly interactive engagement from audiences. Reality ...
This article examines changing rules and regimes of visibility on social media, using Facebook as a ...
In the expanding field of communication, Facebook holds a dubious position as both friend and foe. H...
This paper aims to develop knowledge about the complicated ways in which the modern individual uses ...
The paper concentrates on the general trend of extending the surveillance as it is nicely captured i...
Starting from the premise that surveillance is the ‘dominant organising practice’ of our time (Lyon ...
Reality TV is a ubiquitous form of entertainment with many sub-genres that explore and address a var...
Social cognitive theory suggests a likely relationship between behavior mod-eled on increasingly pop...
Rachel E. Dubrofsky examines the reality TV series The Bachelor and The Bachelorette in one of the f...
The purpose of the thesis is to understand how users of Facebook relate to what they publish and to ...
'Social media’ like Facebook or Twitter have become tremendously popular in recent years. Their popu...
The era we are living in is the one where we are exposed to a massive attraction of social connectiv...
Surveillance Studies often look at cultural products as pedagogical or heuristic devices, as if they...