This article will acquaint you with ten of the more important leftwing films I have reviewed over the past sixteen years as a member of New York Film Critics Online. You will not see listed familiar works such as “The Battle of Algiers” but instead those that deserve wider attention, the proverbial neglected masterpieces. They originate from different countries and are available through Internet streaming, either freely from Youtube or through Netflix or Amazon rental. In several instances you will be referred to film club websites that like the films under discussion deserve wider attention since they are the counterparts to the small, independent theaters where such films get premiered. The country of origin, date and director will be ide...
In an article entitled De Nanterre à Hollywood ( From Nanterre to Hollywood ), published in a 1996...
The films of Majid Majidi act as a looking glass to a religion and culture that has been under much ...
Oppression by censorship affects the film industry far more frequently than any other mass media. In...
This article reviews two books: Pedram Partovi\u27s Popular Iranian Cinema before the Revolution: Fa...
The article addresses the Iranian documentary film Salaam Cinema's overt meditation on power and dis...
This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume e...
Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional sim...
This article examines Djouhra Abouda and Alain Bonnamy’s experimental documentary Ali au pays des me...
The paper takes as a starting point the concept of dissensus understood by the French philosopher Ja...
In late summer 2003, when resistance to the American occupation in Iraq acquired the profile of a wa...
The police massacre, in the center of Paris, of hundreds of protesting Algerians on the 17th of Octo...
The 17th October 1961 police massacre of hundreds of protesting Algerians in the centre of Paris has...
In this paper, I use two films—Les Statues MeurrentAussi (Statues also Die, 1953) directed by Resnai...
Film noir is a term created after fact and applied back to films from a previous period and studies...
This paper is work-in-progress for a book which develops a new approach to freedomof expression in c...
In an article entitled De Nanterre à Hollywood ( From Nanterre to Hollywood ), published in a 1996...
The films of Majid Majidi act as a looking glass to a religion and culture that has been under much ...
Oppression by censorship affects the film industry far more frequently than any other mass media. In...
This article reviews two books: Pedram Partovi\u27s Popular Iranian Cinema before the Revolution: Fa...
The article addresses the Iranian documentary film Salaam Cinema's overt meditation on power and dis...
This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume e...
Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional sim...
This article examines Djouhra Abouda and Alain Bonnamy’s experimental documentary Ali au pays des me...
The paper takes as a starting point the concept of dissensus understood by the French philosopher Ja...
In late summer 2003, when resistance to the American occupation in Iraq acquired the profile of a wa...
The police massacre, in the center of Paris, of hundreds of protesting Algerians on the 17th of Octo...
The 17th October 1961 police massacre of hundreds of protesting Algerians in the centre of Paris has...
In this paper, I use two films—Les Statues MeurrentAussi (Statues also Die, 1953) directed by Resnai...
Film noir is a term created after fact and applied back to films from a previous period and studies...
This paper is work-in-progress for a book which develops a new approach to freedomof expression in c...
In an article entitled De Nanterre à Hollywood ( From Nanterre to Hollywood ), published in a 1996...
The films of Majid Majidi act as a looking glass to a religion and culture that has been under much ...
Oppression by censorship affects the film industry far more frequently than any other mass media. In...