Add to ORKGThe films of Majid Majidi act as a looking glass to a religion and culture that has been under much scrutiny and has been greatly discussed in recent years. This article dissects Majidi\u27s most popular recent films, in order to gain a better understanding of Iran and the Islamic tradition. It explores how Majidi\u27s films demystify an Islamic culture for a western audience
This article discusses on the genre of Islamic film as a visual creative innovation that had played ...
This essay describes the history of Turkish cinema from its origins in 1896 until the present, focus...
Using the medium of cinema to convey religious concepts and messages is part of media activities in ...
Over the past several decades, Iranian Cinema, through the use of themes and stories, shots and paci...
Abstract: Cinema, as a powerful instrument of socialisation in the modern world, has a significant f...
The representation of religious figures in Islam has become particularly controversial in recent yea...
This article reviews two books: Pedram Partovi\u27s Popular Iranian Cinema before the Revolution: Fa...
Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional sim...
This paper is an exploration of two Iranian films that draw upon spiritual, artistic and literary ro...
This article reconsiders some Western textual and visual (mis)representations of Muslim women as men...
Iran has a long history of cinema. In fact, this year it celebrates its ninety-first year as a major...
A Public Policy For Cinema: The Example of the Islamic Republic of Iran Agnes Devictor This article...
In June and July 1999 the National Film Theatre in London screened over 50 Iranian films, made befor...
Abstract. Coincided with the advent of modernity in Iran, humanism-based realism was associated with...
What constitutes a serious engagement of religion and spirituality in film remains a contentious top...
This article discusses on the genre of Islamic film as a visual creative innovation that had played ...
This essay describes the history of Turkish cinema from its origins in 1896 until the present, focus...
Using the medium of cinema to convey religious concepts and messages is part of media activities in ...
Over the past several decades, Iranian Cinema, through the use of themes and stories, shots and paci...
Abstract: Cinema, as a powerful instrument of socialisation in the modern world, has a significant f...
The representation of religious figures in Islam has become particularly controversial in recent yea...
This article reviews two books: Pedram Partovi\u27s Popular Iranian Cinema before the Revolution: Fa...
Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional sim...
This paper is an exploration of two Iranian films that draw upon spiritual, artistic and literary ro...
This article reconsiders some Western textual and visual (mis)representations of Muslim women as men...
Iran has a long history of cinema. In fact, this year it celebrates its ninety-first year as a major...
A Public Policy For Cinema: The Example of the Islamic Republic of Iran Agnes Devictor This article...
In June and July 1999 the National Film Theatre in London screened over 50 Iranian films, made befor...
Abstract. Coincided with the advent of modernity in Iran, humanism-based realism was associated with...
What constitutes a serious engagement of religion and spirituality in film remains a contentious top...
This article discusses on the genre of Islamic film as a visual creative innovation that had played ...
This essay describes the history of Turkish cinema from its origins in 1896 until the present, focus...
Using the medium of cinema to convey religious concepts and messages is part of media activities in ...