IN A WORLD of mobile phones, tablets and computers, it is hard to imagine the joy that children once felt when presented with a book as a prize by the head teacher of their school or the vicar of their local church. Yet the prize book, and its associated prize inscription, was a revolutionary concept when it was first introduced to Britain in the mid nineteenth century. By 1901, awarding books as prizes had become standard practice for most schools, Sunday schools and other institutions in Britain and its Empire. While prize books were typically awarded to a person in recognition of an outstanding achievement or contribution, they also served a secondary function of moral education and they were often used by educational and religious insti...
This article analyses the practice of giving books as gifts through history, in Europe. It starts fr...
A glance at any modern shelf of children’s books will show that some of the books have been in print...
Starting from Walter Benjamin’s definition of aura as an ‘effect of a work of art being uniquely pre...
IN A WORLD of mobile phones, tablets and computers, it is hard to imagine the joy that children once...
In a world of mobile phones and tablets it is hard to imagine the joy that children once felt when p...
In a world of mobile phones and tablets it is hard to imagine the joy that children once felt when p...
This article uses the prize book catalogues of six major British religious and secular publishers of...
Great Britain developed a new way of thinking increasingly based upon the possession of material goo...
Drawing on a personal dataset of 3,000 book inscriptions, and in partnership with Cardiff University...
This paper explores the role of the book inscription as an important rite of property in Edwardian B...
This study draws on theories and methodologies from the fields of multimodality, ethnography and boo...
Edwardian book inscriptions can be described as any mark of ownership on the front endpapers of a bo...
While the chief purpose of a bookplate is to express ownership, marking possession is, in fact, just...
Intenationally there is a rapid proliferation of textbook competitions, prizes and awards. Mirroring...
'Big Prizes and Small Presses' is a study of the relationship between literary prizes, independent p...
This article analyses the practice of giving books as gifts through history, in Europe. It starts fr...
A glance at any modern shelf of children’s books will show that some of the books have been in print...
Starting from Walter Benjamin’s definition of aura as an ‘effect of a work of art being uniquely pre...
IN A WORLD of mobile phones, tablets and computers, it is hard to imagine the joy that children once...
In a world of mobile phones and tablets it is hard to imagine the joy that children once felt when p...
In a world of mobile phones and tablets it is hard to imagine the joy that children once felt when p...
This article uses the prize book catalogues of six major British religious and secular publishers of...
Great Britain developed a new way of thinking increasingly based upon the possession of material goo...
Drawing on a personal dataset of 3,000 book inscriptions, and in partnership with Cardiff University...
This paper explores the role of the book inscription as an important rite of property in Edwardian B...
This study draws on theories and methodologies from the fields of multimodality, ethnography and boo...
Edwardian book inscriptions can be described as any mark of ownership on the front endpapers of a bo...
While the chief purpose of a bookplate is to express ownership, marking possession is, in fact, just...
Intenationally there is a rapid proliferation of textbook competitions, prizes and awards. Mirroring...
'Big Prizes and Small Presses' is a study of the relationship between literary prizes, independent p...
This article analyses the practice of giving books as gifts through history, in Europe. It starts fr...
A glance at any modern shelf of children’s books will show that some of the books have been in print...
Starting from Walter Benjamin’s definition of aura as an ‘effect of a work of art being uniquely pre...