The surface of most heritage objects holds important clues about their creation. To answer specific research questions about the creation of a mural painting located in the Bishop's Gate porch of St. Stephen's Cathedral in Vienna, the three-dimensional geometry of the entire painted surface was digitised in minuscule detail using thousands of overlapping photographs. After a brief introduction to the basics of image-based surface digitisation, this paper describes in detail how the photographs were taken and how they were processed to create a digital three-dimensional surface. To appreciate the subtle surface variations encoded in this digital model, various relief visualisation techniques have been applied. The paper ends with a discussio...
A discussion of the role of art historical reproduction in the works of Nicholas Poussin and the the...
This article focuses on the formative phases as well as on the present challenges of collecting and ...
The Annunciation by Guido di Pietro from Mugello, known as Beato Angelico, is a wide tempera paintin...
The surface of most heritage objects holds important clues about their creation. To answer specific ...
The surface of most heritage objects holds important clues about their creation. To answer specific ...
Characteristic for all contributions to the Wiener Jahrbuch in 2010 is the presentation of latest re...
This paper deals with the digital model development of the Wattendorf- Motzenstein Corded Ware settl...
Die um 1400 erbaute gotische Kirche des Bettelordens der Dominikaner ist inmitten des UNESCO-Weltkul...
A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers...
The aim of the paper is to bring new findings from ongoing specific university research. Within this...
The paper gives a report of a recent project (2015): to create virtual 3D models of the two columns ...
A new documentation done with a 3D-laser-scanner was used to do research on the building technique a...
In 1847, the Austrian painter Leopold Kupelwieser (1796-1862) was commissioned to execute a fresco c...
Potentials of perspectiyal representation were investigated not only in Florence, but also in Padua ...
Special commendation from the Hans-und-Lea-Grundig Prize by the Rosa-Luxemburg-Foundation 2015 -- I ...
A discussion of the role of art historical reproduction in the works of Nicholas Poussin and the the...
This article focuses on the formative phases as well as on the present challenges of collecting and ...
The Annunciation by Guido di Pietro from Mugello, known as Beato Angelico, is a wide tempera paintin...
The surface of most heritage objects holds important clues about their creation. To answer specific ...
The surface of most heritage objects holds important clues about their creation. To answer specific ...
Characteristic for all contributions to the Wiener Jahrbuch in 2010 is the presentation of latest re...
This paper deals with the digital model development of the Wattendorf- Motzenstein Corded Ware settl...
Die um 1400 erbaute gotische Kirche des Bettelordens der Dominikaner ist inmitten des UNESCO-Weltkul...
A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers...
The aim of the paper is to bring new findings from ongoing specific university research. Within this...
The paper gives a report of a recent project (2015): to create virtual 3D models of the two columns ...
A new documentation done with a 3D-laser-scanner was used to do research on the building technique a...
In 1847, the Austrian painter Leopold Kupelwieser (1796-1862) was commissioned to execute a fresco c...
Potentials of perspectiyal representation were investigated not only in Florence, but also in Padua ...
Special commendation from the Hans-und-Lea-Grundig Prize by the Rosa-Luxemburg-Foundation 2015 -- I ...
A discussion of the role of art historical reproduction in the works of Nicholas Poussin and the the...
This article focuses on the formative phases as well as on the present challenges of collecting and ...
The Annunciation by Guido di Pietro from Mugello, known as Beato Angelico, is a wide tempera paintin...