Add to ORKGThe British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a number of literary texts that derived their ‘newness’ by vocalising working-class protagonists, hitherto largely suppressed in popular visions of British society. As a knock-on-effect, British screen culture refreshed, suffering as it did from the same level of under-representation that blighted literature. In a wider context, the films’ freshness and vigour can also be seen to be identified in a new approach to film style and aesthetics which had more in common with the European art cinema than the staid traditions of British filmmaking
This thesis examines how the reading and writing of the post-war British novel is altered by the eme...
Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designe...
Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designe...
The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a nu...
British cinema, in Australia at least but probably elsewhere too, has always occupied a sort of midd...
An in-depth reassessment of the nature and significance of British cinema and the British film indus...
Acting Styles of the British New Wave British New Wave cinema is typically associated with two group...
Conventional approaches to the British New Wave tend to place their greatest emphasis upon viewing t...
As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and e...
This chapter challenged the commonly held idea that British film realism of the late 1950s and early...
In his overview of the decade, Arthur Marwick wrote that the 'Sixties was a time of liberation for m...
This Introduction engages with issues such as Britain’s traditions of intellectualism and anti-intel...
After the collapse of the once dominant studio system in the 1950s, Hollywood executives were at a l...
A presentation as part of the Strange New Worlds Postgraduate Conference, held by the Cinema and Tel...
A series of limiting definitions have tended to delineate the Franco-British cinematic relationship....
This thesis examines how the reading and writing of the post-war British novel is altered by the eme...
Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designe...
Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designe...
The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a nu...
British cinema, in Australia at least but probably elsewhere too, has always occupied a sort of midd...
An in-depth reassessment of the nature and significance of British cinema and the British film indus...
Acting Styles of the British New Wave British New Wave cinema is typically associated with two group...
Conventional approaches to the British New Wave tend to place their greatest emphasis upon viewing t...
As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and e...
This chapter challenged the commonly held idea that British film realism of the late 1950s and early...
In his overview of the decade, Arthur Marwick wrote that the 'Sixties was a time of liberation for m...
This Introduction engages with issues such as Britain’s traditions of intellectualism and anti-intel...
After the collapse of the once dominant studio system in the 1950s, Hollywood executives were at a l...
A presentation as part of the Strange New Worlds Postgraduate Conference, held by the Cinema and Tel...
A series of limiting definitions have tended to delineate the Franco-British cinematic relationship....
This thesis examines how the reading and writing of the post-war British novel is altered by the eme...
Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designe...
Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designe...