Acting Styles of the British New Wave British New Wave cinema is typically associated with two groups of actors. One includes those with an established position (such as Peter Finch, Laurence Olivier or Dirk Bogarde), and the other those at the beginning of their film career. The latter group seems to be much more interesting in terms of their lives, background and their methods of work. Most of them come from a working-class, non-artistic background (from which the directors of New Wave films asked them to draw inspiration). However, all of them received a solid theatrical education. In this way, a unique collage of skills and experience was created, the elements of which produced a very interesting artistic result. This sheds new light on...
In the 1960s, the movies arguably made their most significant headway into the classrooms of the US ...
This thesis will investigate the creation and development by two British directors, Glen Walford an...
This short article explores Peter Gill's attempts, at the National Theatre Studio in the 1980s, to c...
Acting Styles of the British New Wave British New Wave cinema is typically associated with two group...
Conventional approaches to the British New Wave tend to place their greatest emphasis upon viewing t...
The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a nu...
Acting and actors - the beginnings of the seventh art In the 19th century, melodrama was the most p...
While the development of British television drama has been well charted, comparatively little work h...
This chapter challenged the commonly held idea that British film realism of the late 1950s and early...
This thesis investigates the aesthetic presence of social performance in six French and Czechoslovak...
Acting is an ancient art form that has existed since time immemorial. Acting as a creative activity ...
Starting with Franco Moretti's hypothesis of a relationship between the experience of modernity and ...
Style. The term itself is used in a plethora of mediums and subjects. When speaking of a painter\u27...
Few aspects of archive television drama are more redolent of the era in which they were produced tha...
This thesis is the first investigation to examine acting processes in contemporary British verbatim ...
In the 1960s, the movies arguably made their most significant headway into the classrooms of the US ...
This thesis will investigate the creation and development by two British directors, Glen Walford an...
This short article explores Peter Gill's attempts, at the National Theatre Studio in the 1980s, to c...
Acting Styles of the British New Wave British New Wave cinema is typically associated with two group...
Conventional approaches to the British New Wave tend to place their greatest emphasis upon viewing t...
The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a nu...
Acting and actors - the beginnings of the seventh art In the 19th century, melodrama was the most p...
While the development of British television drama has been well charted, comparatively little work h...
This chapter challenged the commonly held idea that British film realism of the late 1950s and early...
This thesis investigates the aesthetic presence of social performance in six French and Czechoslovak...
Acting is an ancient art form that has existed since time immemorial. Acting as a creative activity ...
Starting with Franco Moretti's hypothesis of a relationship between the experience of modernity and ...
Style. The term itself is used in a plethora of mediums and subjects. When speaking of a painter\u27...
Few aspects of archive television drama are more redolent of the era in which they were produced tha...
This thesis is the first investigation to examine acting processes in contemporary British verbatim ...
In the 1960s, the movies arguably made their most significant headway into the classrooms of the US ...
This thesis will investigate the creation and development by two British directors, Glen Walford an...
This short article explores Peter Gill's attempts, at the National Theatre Studio in the 1980s, to c...