In this paper we attempt to show that the prologue of the first book of the Georgics, in which a series of deities is invoked to preside over the beginning of Vergil’s text, should be related to the pompa circensis, the grand procession of deities which preceded the celebration of the ludi circenses. The Vergilian passage is compared with the descriptions of the pompa to be found in Dionysius of Halicarnassus, Roman Antiquities 7.72.1-18 and Ovid, Amores 3.2. It is also discussed in relation to the prologue of Georgics 3, where a pompa is explicitly mentioned. In addition, we relate the prologue’s prediction of Octavian’s apotheosis to the fact that the pompa circensis was Rome’s most remarkable display of images of the gods and hence a maj...
En 27 avant notre ère, Rome inaugure officiellement le Principat, symbole du retour à une paix qui l...
In the first three centuries of the Roman imperial period, Greek festival culture flourished as neve...
This study investigates the late antique cultural background out of which the allusive program of Se...
In this paper we attempt to show that the prologue of the first book of the Georgics, in which a ser...
Vergil’s Georgics was published in 29 BCE, at a critical point in the political life of Octavian-Aug...
This paper focuses on the poetic topic of "Priapus and the four seasons", which plays an important r...
This paper introduces the main witnesses of Pomponius Laetus’ commentary on the Aeneid and explains ...
In the field of Latin papyri from school context, which can be considered an expression of the succe...
Papyri Vergilianae is an instrument for a philological approach to the thirty-five papyri – includin...
This doctoral dissertation investigates poetic representations of Augustus as divine during the form...
This dissertation asserts that opposition to Augustus and the establishment of the Principate was pe...
The ceremonies of the spolia opima and triumph are closely linked, and share a partially common hist...
This dissertation seeks to provide firmer grounding for the study of metapoetics in Roman poetry by ...
The analysis of one of Calpurnius’ most innovative poems, his 5th eclogue, allows us to observe the ...
En 27 avant notre ère, Rome inaugure officiellement le Principat, symbole du retour à une paix qui l...
In the first three centuries of the Roman imperial period, Greek festival culture flourished as neve...
This study investigates the late antique cultural background out of which the allusive program of Se...
In this paper we attempt to show that the prologue of the first book of the Georgics, in which a ser...
Vergil’s Georgics was published in 29 BCE, at a critical point in the political life of Octavian-Aug...
This paper focuses on the poetic topic of "Priapus and the four seasons", which plays an important r...
This paper introduces the main witnesses of Pomponius Laetus’ commentary on the Aeneid and explains ...
In the field of Latin papyri from school context, which can be considered an expression of the succe...
Papyri Vergilianae is an instrument for a philological approach to the thirty-five papyri – includin...
This doctoral dissertation investigates poetic representations of Augustus as divine during the form...
This dissertation asserts that opposition to Augustus and the establishment of the Principate was pe...
The ceremonies of the spolia opima and triumph are closely linked, and share a partially common hist...
This dissertation seeks to provide firmer grounding for the study of metapoetics in Roman poetry by ...
The analysis of one of Calpurnius’ most innovative poems, his 5th eclogue, allows us to observe the ...
En 27 avant notre ère, Rome inaugure officiellement le Principat, symbole du retour à une paix qui l...
In the first three centuries of the Roman imperial period, Greek festival culture flourished as neve...
This study investigates the late antique cultural background out of which the allusive program of Se...