The Topics and Writing Styles in Sah Du La's Material Worship Poetry

[[abstract]]薩都剌（西元約1272年－1355年），字天錫，號直齋，是元代西域詩人成就最高，備受矚目者。今《四庫》著錄其《雁門集》凡十四卷，收詩共七九八首，詞十四首。據大陸學者楊鐮先生，在元詩今存文獻中的考證，指出薩都剌是最主要的詠物詩人，集中大量創作。故本文參酌清康熙敕編《佩文齋詠物詩選》，以及俞琰《歷代詠物詩選》二書編選之體例，特取薩詩中有關詠物之名的詩題為主，並統計出薩氏作品中所佔四分之一的詠物詩，加以按類匯整，將題材類別分為十一類，並針對各類之敘寫，作平面抽樣舉例，歸結其題材涵攝之廣，以凸顯諸詩主題多樣性的面向。再者，本文亦將探討純粹摹物，托物言志以歸納詠物詩技巧，全面檢視他在元代高遠超脫的藝術表現。總之，本文就學界歷來較少涉及之研究範疇，進行論述，取得初步結果，期能對於薩詩之研究，有所裨益。對此，透過本文之考察，希冀引發讀者對於元詩有不同的認識與體會，更能重新審視孱弱的詩壇景象，摒除所謂傳統的思維包袱。 Sah Du La was a one of the outstanding poets in Yuan Dynasty. According to Chinese scholar, Mr. Yang Lian, he found that there were many poems about the worship of materials in Yuan Dynasty. Sah Du La was the most important one who created the poetry of material worships. At first, this article aims to classify his poetic works and divide into twelve parts which are consist of different writings about material worships. These poems are in proportion to a quarter in Sah Du La's main works, and I try to analyze in terms of paralleling selected examples. Then I conclude these works to many different specific topics and explicate their multiple aspects in each poetic topic. Secondly, this article also concentrates on material intimation, and the poet made use of material worship writing styles to express how he showed his own ambition. And I synthesize his writing styles in material worship poems to indicate his particular artistic achievement. In brief, it hopes to be beneficial to the study of Sah Du La's poetry and makes it possible to do researches on Yuan Dynasty's poetry much easily. It helps readers to realize its specific meanings and feelings in Yuan Dynasty's poetry, and discard traditional thoughts by reading his poetry