Phil Rickman's Merrily Watkins murder mystery series look to the 'golden age' of detective fiction to create then undo the pastoral upon which that form heavily relied. This paper examines how such a strategy might be termed post-pastoral in Terry Gifford's understanding of that term, and promotes the idea that popular fiction has a role to play in reshaping pastoral so that it speaks to and for a future, rather than an idyllic and fictional past
This is the commentary on Richard C. Richards, "Humor and Happiness”, read at the Lighthearted Philo...
A short blog post for the CLIR Re:Thinking blog on recent high-profile events at the Boston Public L...
This study rhetorically and visually analyzed the presence of the spiritual journey represented thro...
Despite this surface level volatility, the brothers’ filmography does not feel erratic. On the contr...
This essay accompanied Desire Path, the final exhibition of work by Andrew Vass at ARTHOUSE1 Gallery...
The Caveless Mountains: A Recovery Narrative explores the effect trauma has on a victim with family,...
In adapting the murder ballad Duncan and Brady for the stage as a one act play ‘Been on the Job Too ...
Tiny Ruins is a collection of short prose works consisting of flash fiction, prose poetry, and vigne...
The following text combines selected extracts from interviews held separately between 2013-14 with t...
The author sets out to construct a historical approach to thinking about resilience that is grounded...
Ken Lum’s recent survey at the Vancouver Art Gallery is reviewed by Jamie Hilder, who traces a disti...
A response to the exhibition of Steven Paige's film 'Let's Go Bowling', which launched the Gallery i...
According to proponents of irreducible cognitive phenomenology some cognitive states put one in phen...
Full programme of concert: Beethoven, Rondo in A Percy Grainger, My Robin is to the Greenwood gone M...
This paper presents how Tom Turino's participatory musical field allows for simultaneous participati...
This is the commentary on Richard C. Richards, "Humor and Happiness”, read at the Lighthearted Philo...
A short blog post for the CLIR Re:Thinking blog on recent high-profile events at the Boston Public L...
This study rhetorically and visually analyzed the presence of the spiritual journey represented thro...
Despite this surface level volatility, the brothers’ filmography does not feel erratic. On the contr...
This essay accompanied Desire Path, the final exhibition of work by Andrew Vass at ARTHOUSE1 Gallery...
The Caveless Mountains: A Recovery Narrative explores the effect trauma has on a victim with family,...
In adapting the murder ballad Duncan and Brady for the stage as a one act play ‘Been on the Job Too ...
Tiny Ruins is a collection of short prose works consisting of flash fiction, prose poetry, and vigne...
The following text combines selected extracts from interviews held separately between 2013-14 with t...
The author sets out to construct a historical approach to thinking about resilience that is grounded...
Ken Lum’s recent survey at the Vancouver Art Gallery is reviewed by Jamie Hilder, who traces a disti...
A response to the exhibition of Steven Paige's film 'Let's Go Bowling', which launched the Gallery i...
According to proponents of irreducible cognitive phenomenology some cognitive states put one in phen...
Full programme of concert: Beethoven, Rondo in A Percy Grainger, My Robin is to the Greenwood gone M...
This paper presents how Tom Turino's participatory musical field allows for simultaneous participati...
This is the commentary on Richard C. Richards, "Humor and Happiness”, read at the Lighthearted Philo...
A short blog post for the CLIR Re:Thinking blog on recent high-profile events at the Boston Public L...
This study rhetorically and visually analyzed the presence of the spiritual journey represented thro...