The following text combines selected extracts from interviews held separately between 2013-14 with ten of the artists associated with Stockwell Depot. This selection addresses core issues associated with the Depot during 1967-79, a period in which each of these artists had an active involvement. David Evison, Gerard Hemsworth and Peter Hide helped to set up the studios in 1967; John Mclean moved into an area managed by Evison by 1970; Jennifer Durrant, Katherine Gili and Anthony Smart all first sublet from Hide in the early 1970s; and Mark Skilton arrived later in that decade. From 1975-79 the annual Stockwell Depot exhibitions regularly included a number of artists, including Alan Gouk and Paul Tonkin, who did not have studio spaces in the...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
This dissertation investigates the vexed relation between motherhood, creativity and survival throug...
Composition for Contrabass Flute, Cello and Electronics Public Performance (3rd June 2015) and Wo...
Despite this surface level volatility, the brothers’ filmography does not feel erratic. On the contr...
'Scending' is work for flute, piccolo, alto flute and bass flute (1 player) and button accordion. It...
The author sets out to construct a historical approach to thinking about resilience that is grounded...
This paper presents how Tom Turino's participatory musical field allows for simultaneous participati...
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
A short blog post for the CLIR Re:Thinking blog on recent high-profile events at the Boston Public L...
Ken Lum’s recent survey at the Vancouver Art Gallery is reviewed by Jamie Hilder, who traces a disti...
This essay accompanied Desire Path, the final exhibition of work by Andrew Vass at ARTHOUSE1 Gallery...
Essay on John Smith's longest 16mm film, 'Slow Glass' (1988-91), accompanying a DVD box set publishe...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
This dissertation investigates the vexed relation between motherhood, creativity and survival throug...
Composition for Contrabass Flute, Cello and Electronics Public Performance (3rd June 2015) and Wo...
Despite this surface level volatility, the brothers’ filmography does not feel erratic. On the contr...
'Scending' is work for flute, piccolo, alto flute and bass flute (1 player) and button accordion. It...
The author sets out to construct a historical approach to thinking about resilience that is grounded...
This paper presents how Tom Turino's participatory musical field allows for simultaneous participati...
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
A short blog post for the CLIR Re:Thinking blog on recent high-profile events at the Boston Public L...
Ken Lum’s recent survey at the Vancouver Art Gallery is reviewed by Jamie Hilder, who traces a disti...
This essay accompanied Desire Path, the final exhibition of work by Andrew Vass at ARTHOUSE1 Gallery...
Essay on John Smith's longest 16mm film, 'Slow Glass' (1988-91), accompanying a DVD box set publishe...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
This dissertation investigates the vexed relation between motherhood, creativity and survival throug...