Add to ORKGText commissioned by Skol in repsonse to Darsha Hewitt's exhibition Electrostatic Bell Choir, presented from May 2 – June 1, 2013 as part of ELEKTRA
Text commissioned by Skol in repsonse to Peter Flemming's exhibition Instrumentation, as part of the...
The Bell Jar Orchestra focuses on aesthetising the materiality of sound. It brings a heightened visi...
Radio Art is a composition practice that is constantly evolving. Artists share a commonality to rede...
Text commissioned by Skol in repsonse to Darsha Hewitt's exhibition Electrostatic Bell Choir, presen...
In this article we discuss the notion of ‘interaction’, ‘participation’ and ‘the public’ in artistic...
From a technological necessity in projects like the Telharmonium, to a creative opportunity enjoyed ...
This paper opens with sound 0018 HF-pc lookingforwifi, taken from Martin Howse and Shintaro Miyazaki...
The paper presents the context and inspirations for the Flower Antenna, a large-scale, hovering, scu...
Production and performance of Untitled for Cyborg String Quartet by artist Michaela Davies for V&A D...
Composers and sound artists have explored for decades how to transform microphones and loudspeakers ...
Inaudible Matters, a project including Electrical Walks Paris by Christina Kubisch as well as a prog...
The aim of this PhD is to present works which examine the expression of human agency within electroa...
BELL was composed in response to an invitation to contribute to FIRE, an event organised by Breathin...
This thesis explores certain ways m which contemporary artists are using methodologies of sound (rec...
My research takes the artistic use of the devices that bring sound waves into electricity and back a...
Text commissioned by Skol in repsonse to Peter Flemming's exhibition Instrumentation, as part of the...
The Bell Jar Orchestra focuses on aesthetising the materiality of sound. It brings a heightened visi...
Radio Art is a composition practice that is constantly evolving. Artists share a commonality to rede...
Text commissioned by Skol in repsonse to Darsha Hewitt's exhibition Electrostatic Bell Choir, presen...
In this article we discuss the notion of ‘interaction’, ‘participation’ and ‘the public’ in artistic...
From a technological necessity in projects like the Telharmonium, to a creative opportunity enjoyed ...
This paper opens with sound 0018 HF-pc lookingforwifi, taken from Martin Howse and Shintaro Miyazaki...
The paper presents the context and inspirations for the Flower Antenna, a large-scale, hovering, scu...
Production and performance of Untitled for Cyborg String Quartet by artist Michaela Davies for V&A D...
Composers and sound artists have explored for decades how to transform microphones and loudspeakers ...
Inaudible Matters, a project including Electrical Walks Paris by Christina Kubisch as well as a prog...
The aim of this PhD is to present works which examine the expression of human agency within electroa...
BELL was composed in response to an invitation to contribute to FIRE, an event organised by Breathin...
This thesis explores certain ways m which contemporary artists are using methodologies of sound (rec...
My research takes the artistic use of the devices that bring sound waves into electricity and back a...
Text commissioned by Skol in repsonse to Peter Flemming's exhibition Instrumentation, as part of the...
The Bell Jar Orchestra focuses on aesthetising the materiality of sound. It brings a heightened visi...
Radio Art is a composition practice that is constantly evolving. Artists share a commonality to rede...