Add to ORKGVilleneuve presents the Val-David artist and his art as being turned towards life and traces the three stages of his career, insisting on the transition from printmaking to painting. Biographical notes. 13 bibl.ref
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Villeneuve presents the Val-David artist and his art as being turned towards life and traces the thr...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Campbell discusses Villeneuve's development in terms of pictorial methodology rather than style, and...
Rolland's brief text focuses on Valade's activity as a painter and sculptor. Biographical notes
Lamarre considers notions of the abstract, the absurd, and the arbitrary as they relate to Tremblay'...
In a biographical text, Gagnon highlights the role of the "sus-conscient" and prehistory in Villeneu...
Dumont forefronts Sarrazin's process and shows how the painter succeeds in balancing intellect with ...
Payant underscores the continuation of a critical practice of painting in Saulnier's constructed lan...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
In three texts, Saint-Pierre's process of working, his various formulations of the idea of the canva...
Lamarre examines the development of the head motif, the theme of mourning, and the use of photograph...
Bellet outlines Riopelle's visual development (styles, techniques and materials) in eight periods sp...
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Villeneuve presents the Val-David artist and his art as being turned towards life and traces the thr...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Campbell discusses Villeneuve's development in terms of pictorial methodology rather than style, and...
Rolland's brief text focuses on Valade's activity as a painter and sculptor. Biographical notes
Lamarre considers notions of the abstract, the absurd, and the arbitrary as they relate to Tremblay'...
In a biographical text, Gagnon highlights the role of the "sus-conscient" and prehistory in Villeneu...
Dumont forefronts Sarrazin's process and shows how the painter succeeds in balancing intellect with ...
Payant underscores the continuation of a critical practice of painting in Saulnier's constructed lan...
This exhibition catalogue focuses on the multidisciplinary aspect of David’s art practice (painting,...
In three texts, Saint-Pierre's process of working, his various formulations of the idea of the canva...
Lamarre examines the development of the head motif, the theme of mourning, and the use of photograph...
Bellet outlines Riopelle's visual development (styles, techniques and materials) in eight periods sp...
Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and ...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...