Add to ORKGCommenting on Marois' textile work, Groleau perceives a compatibility between medium and motif, while Thomas-Penette discerns a silent space for the exorcism of fear (these two texts in French only). Jefferies analyses the artist's use of open narrative structures and his exploration of photography, tapestry, and drawing. Biographical notes. 89 bibl. ref
More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in w...
Sarrazin highlights the revolutionary spirit of Trudeau's sculptures while De Roussan focuses on the...
This thesis examines the work of Marcel Broodthaers (1924-76). It analyses why and how he became an ...
Cochran discusses themes and technique in Marois's silksreen prints. Biron (in a text presented in F...
Aquin links Marois' works to the Quebec abstract tradition and to the movement to redefine painting....
Taillefer explains how Hamelin's works embody the problem of pictorialism in sculpture and allude to...
Bouchard describes the symbols and iconography used by painter Marok to represent solitude. The auth...
This publication, the outcome of several interviews conducted by Gingras with the artist, documents ...
Henri Matisse was the leading painter in the Fauve movement. As a French Expressionist, he was drive...
Assemblage and performance artist, Charette blurs the boundary of sculptural construction and theatr...
Lussier’s descriptive analysis of Séguin’s series of paintings based on the rosace, foregrounds the ...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
In this monograph dedicated to Montreal artist Lamothe’s photographs, two authors discuss technical ...
Through notions of time, death and ruin, Charles establishes links between Héon's "robes," the sacri...
Pascal Schandel : Henri Focillon, etching and the visionary artists. In the profuse and complex wor...
More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in w...
Sarrazin highlights the revolutionary spirit of Trudeau's sculptures while De Roussan focuses on the...
This thesis examines the work of Marcel Broodthaers (1924-76). It analyses why and how he became an ...
Cochran discusses themes and technique in Marois's silksreen prints. Biron (in a text presented in F...
Aquin links Marois' works to the Quebec abstract tradition and to the movement to redefine painting....
Taillefer explains how Hamelin's works embody the problem of pictorialism in sculpture and allude to...
Bouchard describes the symbols and iconography used by painter Marok to represent solitude. The auth...
This publication, the outcome of several interviews conducted by Gingras with the artist, documents ...
Henri Matisse was the leading painter in the Fauve movement. As a French Expressionist, he was drive...
Assemblage and performance artist, Charette blurs the boundary of sculptural construction and theatr...
Lussier’s descriptive analysis of Séguin’s series of paintings based on the rosace, foregrounds the ...
Mihalcean reveals his preoccupations as a sculptor and describes how he composes three-dimensional a...
In this monograph dedicated to Montreal artist Lamothe’s photographs, two authors discuss technical ...
Through notions of time, death and ruin, Charles establishes links between Héon's "robes," the sacri...
Pascal Schandel : Henri Focillon, etching and the visionary artists. In the profuse and complex wor...
More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in w...
Sarrazin highlights the revolutionary spirit of Trudeau's sculptures while De Roussan focuses on the...
This thesis examines the work of Marcel Broodthaers (1924-76). It analyses why and how he became an ...