Add to ORKGReferencing popular culture to comment on the inherent problems of the art tradition, Holubizky extols the diversity and ambition of the MUD collective, comprised of 20 Toronto painters. Biographical notes. 36 bibl. ref
Miller asserts that painting was relevant in the 1980s, in Toronto, despite the lack of support it r...
About Painting looks at painting from the inside and considers the forces shaping it and controversy...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
grantor: University of TorontoArt and Social Progress: The Toronto community of Painters, ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
This was a series of five exhibitions discussing movements in contemporary painting involving thirte...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
The CCA Libraries Exhibition Program presents the solo exhibition Out the Mud by Troy Lamarr Chew II...
“TRANSlinear” presents the results of an engaged consideration of contemporary painting practice, wi...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
Work shown as part of a group exhibition at the Wexford Arts Centre, in response to a residency awar...
In an extensive essay, Burnett documents the emergence of Toronto painting and constrasts the develo...
“I never thought I’d see you again” is not exactly about history painting. Neither obliged to any st...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
Using the activity of mudlarking as guiding theme, Dhaliwal describes the works in the exhibition, f...
Miller asserts that painting was relevant in the 1980s, in Toronto, despite the lack of support it r...
About Painting looks at painting from the inside and considers the forces shaping it and controversy...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
grantor: University of TorontoArt and Social Progress: The Toronto community of Painters, ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
This was a series of five exhibitions discussing movements in contemporary painting involving thirte...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
The CCA Libraries Exhibition Program presents the solo exhibition Out the Mud by Troy Lamarr Chew II...
“TRANSlinear” presents the results of an engaged consideration of contemporary painting practice, wi...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
Work shown as part of a group exhibition at the Wexford Arts Centre, in response to a residency awar...
In an extensive essay, Burnett documents the emergence of Toronto painting and constrasts the develo...
“I never thought I’d see you again” is not exactly about history painting. Neither obliged to any st...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
Using the activity of mudlarking as guiding theme, Dhaliwal describes the works in the exhibition, f...
Miller asserts that painting was relevant in the 1980s, in Toronto, despite the lack of support it r...
About Painting looks at painting from the inside and considers the forces shaping it and controversy...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...