Add to ORKGExamining the influences and stylistic diversity of major figures in the 1950s Saskatoon art scene, Dufour traces the early development of artists' groups and an indigenous Prairie art. 5 bibl. ref
On the occasion of a touring exhibition of Saskatchewan crafts, Acoose discusses traditional and con...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
An examination of various practices of abstract art practices in Canada in the 1950s. Leclerc presen...
Examining the influences and stylistic diversity of major figures in the 1950s Saskatoon art scene, ...
The authors describe the development of art and arts groups in Saskatchewan from the 1850s to 1970, ...
Looking at the recent diversity in Saskatchewan art, Richmond examines 16 artists' work in relation ...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
Cameron surveys the development of the visual arts in Winnipeg from 1955 to 1959, focusing on the de...
Lampard compares the regionalist histories of the arts of Saskatchewan's two university cities, cont...
Town notes the development of artists' societies and groups in the wake of the Group of Seven, most ...
Walters notes the recent emergence of major artists in Saskatchewan. Biographical notes on 10 artist...
It is my intention in this paper to examine the idea of identity in prairie art, in comparison to th...
Curator Boyanoski identifies the period 1950-1963 as pivotal to Canadian art. Focusing on work from ...
Davis examines Quebec art in the 1940s and 1950s, outlining the evolution of the Automatistes and th...
On the occasion of a touring exhibition of Saskatchewan crafts, Acoose discusses traditional and con...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
An examination of various practices of abstract art practices in Canada in the 1950s. Leclerc presen...
Examining the influences and stylistic diversity of major figures in the 1950s Saskatoon art scene, ...
The authors describe the development of art and arts groups in Saskatchewan from the 1850s to 1970, ...
Looking at the recent diversity in Saskatchewan art, Richmond examines 16 artists' work in relation ...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
Cameron surveys the development of the visual arts in Winnipeg from 1955 to 1959, focusing on the de...
Lampard compares the regionalist histories of the arts of Saskatchewan's two university cities, cont...
Town notes the development of artists' societies and groups in the wake of the Group of Seven, most ...
Walters notes the recent emergence of major artists in Saskatchewan. Biographical notes on 10 artist...
It is my intention in this paper to examine the idea of identity in prairie art, in comparison to th...
Curator Boyanoski identifies the period 1950-1963 as pivotal to Canadian art. Focusing on work from ...
Davis examines Quebec art in the 1940s and 1950s, outlining the evolution of the Automatistes and th...
On the occasion of a touring exhibition of Saskatchewan crafts, Acoose discusses traditional and con...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
An examination of various practices of abstract art practices in Canada in the 1950s. Leclerc presen...