Add to ORKGWriting during the installation of Gallie's site specific work, Heath reflects on questions the construction raises with respect to the presentation of the art object. Includes an interview between Gallie and Collinson. Biographical notes. 43 bibl. ref
Art piece on Bright Common Spikes: The Sculpture of John Bisbee, which is being presented at the ...
Includes Graves' account of the myth of Demeter and Korê, a text by Thompson extrapolating on Logie'...
McEvilley examines Gormley's preoccupation with the fate of humanity and surveys the sculptor's work...
Writing during the installation of Gallie's site specific work, Heath reflects on questions the cons...
Kidd presents a descriptive survey of sculptural work since 1989, noting Gallie's interest in the ar...
The author briefly points out how Gallie, WIlliams and Hicks expand the concept of sculpture. Includ...
Milrod describes Carr-Harris' attempt to involve the viewer in his installation works. Includes the ...
Art piece featuring an interview in question-and-answer format with Maine native A. Jacob Galle, cu...
Grant Marchand addresses the installation work and maquettes of Ontario artist Adams and considers t...
Includes an interview with Mabie on his rubberstamp work, as well as Poier's analysis of a past conv...
In an interview which is a compilation of discussions between Hilton Moore, Paulocik and Tamplin, th...
Arts piece on Stew Henderson of Belfast, an artist who collects visually striking images and affixe...
Cameron traces story art's development in the 1970s and in the work of Adams, Beckley and Collins. I...
Publication of The Labour of Art Symposium held at the University of Lincoln, 2005. Invariably wh...
Artist Hazelgrove describes the reflective process which precedes her studio work while Dompierre no...
Art piece on Bright Common Spikes: The Sculpture of John Bisbee, which is being presented at the ...
Includes Graves' account of the myth of Demeter and Korê, a text by Thompson extrapolating on Logie'...
McEvilley examines Gormley's preoccupation with the fate of humanity and surveys the sculptor's work...
Writing during the installation of Gallie's site specific work, Heath reflects on questions the cons...
Kidd presents a descriptive survey of sculptural work since 1989, noting Gallie's interest in the ar...
The author briefly points out how Gallie, WIlliams and Hicks expand the concept of sculpture. Includ...
Milrod describes Carr-Harris' attempt to involve the viewer in his installation works. Includes the ...
Art piece featuring an interview in question-and-answer format with Maine native A. Jacob Galle, cu...
Grant Marchand addresses the installation work and maquettes of Ontario artist Adams and considers t...
Includes an interview with Mabie on his rubberstamp work, as well as Poier's analysis of a past conv...
In an interview which is a compilation of discussions between Hilton Moore, Paulocik and Tamplin, th...
Arts piece on Stew Henderson of Belfast, an artist who collects visually striking images and affixe...
Cameron traces story art's development in the 1970s and in the work of Adams, Beckley and Collins. I...
Publication of The Labour of Art Symposium held at the University of Lincoln, 2005. Invariably wh...
Artist Hazelgrove describes the reflective process which precedes her studio work while Dompierre no...
Art piece on Bright Common Spikes: The Sculpture of John Bisbee, which is being presented at the ...
Includes Graves' account of the myth of Demeter and Korê, a text by Thompson extrapolating on Logie'...
McEvilley examines Gormley's preoccupation with the fate of humanity and surveys the sculptor's work...