Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author links this production's quality of lyricism and formal consistency to the Québécois investigation of identity and, more specifically, to the generation of artists born with the 1970s. Biographical notes. 68 bibl. ref.; 2 videogr. ref
Includes bibliographical references (pages 123-128)Gen Paul, a major French expressionist painter, c...
This thesis focuses on the study of citation by exploring its metonymic potential to reveal Hubert R...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
This lavishly illustrated catalogue presents the paintings produced by Robert from 1975 to 2002. Rec...
Lacroix reveals Robert’s creative process by examining the physical characteristics of her “drawings...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
Highlighting the Musée de Joliette's role with regards to Montreal art, Gascon introduces the painte...
Georges Rouault : writing like painting. Georges Rouault’s writings are little known. A systematic...
Ragon traces the historical origins of lyrical abstraction to the Automatiste movement of Québec whi...
Gosselin presents Jolicoeur's photographic installations as an integration of modern fiction with th...
Lussier’s descriptive analysis of Séguin’s series of paintings based on the rosace, foregrounds the ...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Publication ISBN 1 860502 09 1. This output relates to Burge’s art-historical research on French-Ame...
Includes bibliographical references (pages 123-128)Gen Paul, a major French expressionist painter, c...
This thesis focuses on the study of citation by exploring its metonymic potential to reveal Hubert R...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
This lavishly illustrated catalogue presents the paintings produced by Robert from 1975 to 2002. Rec...
Lacroix reveals Robert’s creative process by examining the physical characteristics of her “drawings...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
Highlighting the Musée de Joliette's role with regards to Montreal art, Gascon introduces the painte...
Georges Rouault : writing like painting. Georges Rouault’s writings are little known. A systematic...
Ragon traces the historical origins of lyrical abstraction to the Automatiste movement of Québec whi...
Gosselin presents Jolicoeur's photographic installations as an integration of modern fiction with th...
Lussier’s descriptive analysis of Séguin’s series of paintings based on the rosace, foregrounds the ...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Publication ISBN 1 860502 09 1. This output relates to Burge’s art-historical research on French-Ame...
Includes bibliographical references (pages 123-128)Gen Paul, a major French expressionist painter, c...
This thesis focuses on the study of citation by exploring its metonymic potential to reveal Hubert R...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...