Add to ORKGDiscussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surface, color and writing. Biographical notes
Gutnick and Perkes liken Létourneau's painting to an archeology of pictorial material. Biographical ...
Under the discretion of Dr. Joseph Trimmer, of Ball State University's English department, I develop...
In an extensive essay, Payant explores the representational possibilities of colour in Comtois' pain...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
Brunet-Weinmann comments on the contents/container relationship and the technique of wax painting in...
Leblond discusses the relationship between experience and artistic activity in Hamel's paintings. In...
Bénichou proposes a formal analysis of Rivard Le Moyne's paintings and drawings since 1980, and pays...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Lupien studies Lavoie's pictorial strategy which uses the semantic potential of colour in order to r...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
On the occasion of a presentation of paintings produced by Garneau and Levasseur, Devlin evokes the ...
Ce travail de thèse porte sur la question de la représentation picturale (l’aspect iconique de la pe...
Gutnick and Perkes liken Létourneau's painting to an archeology of pictorial material. Biographical ...
Under the discretion of Dr. Joseph Trimmer, of Ball State University's English department, I develop...
In an extensive essay, Payant explores the representational possibilities of colour in Comtois' pain...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
Brunet-Weinmann comments on the contents/container relationship and the technique of wax painting in...
Leblond discusses the relationship between experience and artistic activity in Hamel's paintings. In...
Bénichou proposes a formal analysis of Rivard Le Moyne's paintings and drawings since 1980, and pays...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Lupien studies Lavoie's pictorial strategy which uses the semantic potential of colour in order to r...
A well illustrated catalogue for an exhibition of Lanctôt’s paintings from the 1980s and 1990s. Lama...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
On the occasion of a presentation of paintings produced by Garneau and Levasseur, Devlin evokes the ...
Ce travail de thèse porte sur la question de la représentation picturale (l’aspect iconique de la pe...
Gutnick and Perkes liken Létourneau's painting to an archeology of pictorial material. Biographical ...
Under the discretion of Dr. Joseph Trimmer, of Ball State University's English department, I develop...
In an extensive essay, Payant explores the representational possibilities of colour in Comtois' pain...