Add to ORKGIn the first volume, Monk's retrospective analysis of Collyer's production examines the semiotic operations and sustained commentary on architecture, urban planning and commodification at work in his sculpture. In the second volume, Monk notes the shift in context effected by the Venice pavilion and discusses Collyer's "critical constructions" in terms of imagery and sculptural coherence. Biographical notes. Circa 70 bibl. ref
Collage: Assembling Contemporary Art is the first authoritative survey of the history of collage fro...
Documenting Peck's work from 1971 to 1991, the authors examine the critical and narrative strategies...
Published to document Skol’s 2000-2001 season dedicated to new forms of “relational” practices, this...
In the first volume, Monk's retrospective analysis of Collyer's production examines the semiotic ope...
Dompierre explains how Collyer's sculptures dialectically expose the relationship between objects an...
This catalogue accompanies an exhibition of Collyer’s photographic work produced over a period of 30...
Smith briefly analyses Comtois' sculptures and Molinari's paintings. Théberge outlines the developme...
Collage mentality pervades our work. We are interested in spaces of contradiction, unexpected associ...
Placing the artists' works in a minimalist vein, Jenkner focuses on their sculptures as metaphors fo...
It is, of course, the city of this year's "Platea dell'umanita"; part two, one might say, of Harald ...
Gascon discusses the relationship existing between sculpture and its architectural shelter, and more...
This book offers a rich analysis of collage practices in the theatre of Vsevolod Meyerhold. Focusing...
This work stems from an interest in exploring the works of the architect Carlo Scarpa and how contem...
This publication documents Charney’s work as Canada’s representative for the 7th Venice Biennale Int...
To accompany an exhibition of 32 serigraphs created by Colville between 1955 and 1993, Bell examines...
Collage: Assembling Contemporary Art is the first authoritative survey of the history of collage fro...
Documenting Peck's work from 1971 to 1991, the authors examine the critical and narrative strategies...
Published to document Skol’s 2000-2001 season dedicated to new forms of “relational” practices, this...
In the first volume, Monk's retrospective analysis of Collyer's production examines the semiotic ope...
Dompierre explains how Collyer's sculptures dialectically expose the relationship between objects an...
This catalogue accompanies an exhibition of Collyer’s photographic work produced over a period of 30...
Smith briefly analyses Comtois' sculptures and Molinari's paintings. Théberge outlines the developme...
Collage mentality pervades our work. We are interested in spaces of contradiction, unexpected associ...
Placing the artists' works in a minimalist vein, Jenkner focuses on their sculptures as metaphors fo...
It is, of course, the city of this year's "Platea dell'umanita"; part two, one might say, of Harald ...
Gascon discusses the relationship existing between sculpture and its architectural shelter, and more...
This book offers a rich analysis of collage practices in the theatre of Vsevolod Meyerhold. Focusing...
This work stems from an interest in exploring the works of the architect Carlo Scarpa and how contem...
This publication documents Charney’s work as Canada’s representative for the 7th Venice Biennale Int...
To accompany an exhibition of 32 serigraphs created by Colville between 1955 and 1993, Bell examines...
Collage: Assembling Contemporary Art is the first authoritative survey of the history of collage fro...
Documenting Peck's work from 1971 to 1991, the authors examine the critical and narrative strategies...
Published to document Skol’s 2000-2001 season dedicated to new forms of “relational” practices, this...