The subjects covered in this monograph on the history of early film include: structural or structural/materialist film, metahistory and film historicism, narrative and tableau, primitive style, "cine-tapestry," actuality, apparatus theory and multiple causality, techniques of perspective and filmic space, early cinema and avant-garde films, experimental film and Hollywood classical cinema. Testa reviews and repositions key film historians and "conventional" schools of thought and theory on film
This thesis traces the emergence of film criticism discourse in American film trade publications bet...
This paper examines the formal qualities and historic context of three early films produced for the ...
L'article est paru la première fois dans Iris 2, no 1 (1984), p. 101-112, et est mis en ligne avec l...
The subjects covered in this monograph on the history of early film include: structural or structura...
Testa introduces two historical projects that have converged on early cinema (mid 1890s to circa 191...
Historical and theoretical studies on early cinema - Approches historiques et théoriques du cinéma d...
This article gives a brief overview of the present state of studies in Early Cinema (roughly, the pe...
A study on various aspects of early cinema (modes of production, modes of exhibition, spectatorship,...
This book gives a concise account of a complex movement for the new reader, with many specific examp...
In this thesis I propose an encompassing theoretical understanding of the sound of very early cinema...
The paper explains different modes of understanding the concept of medium in the history of film the...
There is a certain tendency in the contemporaryhistoriography of early film studies to construe mo-d...
The authors discuss how avant-garde filmmakers from 1970 to 1985 refered to non-narrative films from...
While the earliest films were made and distributed in the 1890s, Film Studies did not emerge as a pr...
This dissertation is a historical and theoretical study of a number of discourses examining colour a...
This thesis traces the emergence of film criticism discourse in American film trade publications bet...
This paper examines the formal qualities and historic context of three early films produced for the ...
L'article est paru la première fois dans Iris 2, no 1 (1984), p. 101-112, et est mis en ligne avec l...
The subjects covered in this monograph on the history of early film include: structural or structura...
Testa introduces two historical projects that have converged on early cinema (mid 1890s to circa 191...
Historical and theoretical studies on early cinema - Approches historiques et théoriques du cinéma d...
This article gives a brief overview of the present state of studies in Early Cinema (roughly, the pe...
A study on various aspects of early cinema (modes of production, modes of exhibition, spectatorship,...
This book gives a concise account of a complex movement for the new reader, with many specific examp...
In this thesis I propose an encompassing theoretical understanding of the sound of very early cinema...
The paper explains different modes of understanding the concept of medium in the history of film the...
There is a certain tendency in the contemporaryhistoriography of early film studies to construe mo-d...
The authors discuss how avant-garde filmmakers from 1970 to 1985 refered to non-narrative films from...
While the earliest films were made and distributed in the 1890s, Film Studies did not emerge as a pr...
This dissertation is a historical and theoretical study of a number of discourses examining colour a...
This thesis traces the emergence of film criticism discourse in American film trade publications bet...
This paper examines the formal qualities and historic context of three early films produced for the ...
L'article est paru la première fois dans Iris 2, no 1 (1984), p. 101-112, et est mis en ligne avec l...