Add to ORKGMoppett surveys Rogers' career, focusing on the artist's paintings, collages and sculptures from 1973 to 1983, and noting his use of texture and surface. The work is seen as deriving a sense of unity from Roger's religious beliefs. Biographical notes. 31 bibl. ref
Parent identifies a series of "transfers" that structure Oppenheim's conceptual work. In an intervie...
Thiébaut Jacques. Objets d'art mosans. In: Bulletin Monumental, tome 132, n°3, année 1974. p. 247
Tousley examines Moppett's iconography while Graham offers an anecdotal consideration of individual ...
Rogers elaborated on art and spirituality and the relation of expression and technique. Biographical...
Outlining changes in art and art education in Saskatchewan in the 1950s, Humphries discusses Rogers'...
Bell traces Rogers' career, emphasizing his desire to impart a sense of harmony and wholeness in his...
Turbiaux Marcel. Rogers (C.R.). — Autobiographie. Paris, Epi, 1971. In: Bulletin de psychologie, tom...
The curator's extensive essay traces the development of Gaucher's work from 1963 to 1978 through an ...
Paul follows Cumming's works (in photography, conceptual art, "narrative art," and artist's books) s...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Sicotte traces Reinblatt's career as a painter within Montreal's Jewish community. Biographical note...
Karpuszko focuses on Bornstein's activities during the 1950s and 1960s and the dynamic surface of th...
Moppett presents a biographical sketch of Hilton for this exhibition of works produced shortly befor...
Omer provides a brief analysis of Lellouch's selfportraits and Jerusalem landscapes. Brief artist's ...
Parent identifies a series of "transfers" that structure Oppenheim's conceptual work. In an intervie...
Thiébaut Jacques. Objets d'art mosans. In: Bulletin Monumental, tome 132, n°3, année 1974. p. 247
Tousley examines Moppett's iconography while Graham offers an anecdotal consideration of individual ...
Rogers elaborated on art and spirituality and the relation of expression and technique. Biographical...
Outlining changes in art and art education in Saskatchewan in the 1950s, Humphries discusses Rogers'...
Bell traces Rogers' career, emphasizing his desire to impart a sense of harmony and wholeness in his...
Turbiaux Marcel. Rogers (C.R.). — Autobiographie. Paris, Epi, 1971. In: Bulletin de psychologie, tom...
The curator's extensive essay traces the development of Gaucher's work from 1963 to 1978 through an ...
Paul follows Cumming's works (in photography, conceptual art, "narrative art," and artist's books) s...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Sicotte traces Reinblatt's career as a painter within Montreal's Jewish community. Biographical note...
Karpuszko focuses on Bornstein's activities during the 1950s and 1960s and the dynamic surface of th...
Moppett presents a biographical sketch of Hilton for this exhibition of works produced shortly befor...
Omer provides a brief analysis of Lellouch's selfportraits and Jerusalem landscapes. Brief artist's ...
Parent identifies a series of "transfers" that structure Oppenheim's conceptual work. In an intervie...
Thiébaut Jacques. Objets d'art mosans. In: Bulletin Monumental, tome 132, n°3, année 1974. p. 247
Tousley examines Moppett's iconography while Graham offers an anecdotal consideration of individual ...