Add to ORKGSituating Delva's work in relation to contemporary art practices, Eyland describes the artist's sandstone masonry sculptures and their references to neo-classical architectural embellishment and the colonial history of Nova Scotia. Artist's statement. Biographical notes. 11 bibl. ref
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
Relating Sankawa's work to his country of origin, Beks considers the artist's sculptures in relation...
Silverberg briefly notes the tradition of contemporary ceramics in Quebec. Biographical notes on 11 ...
Catalogue of an exhibition consisting of sculptures by Nova Scotia artists Delva, Gill and Greer. To...
Holme's analysis of Delva's exhibition focuses on issues of content and containment in relation to m...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Metcalfe's extended essay embraces a wide range of sources and subjects, and amounts to a rumination...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
Curator Laurette discusses the works of 15 Acadian artists in relation to sculpture, folk art, paint...
The authors demonstrate how Delorme's sculptural work evokes the industrial realm (St-Pierre's text ...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
Discussing carving, painting, decorated furniture and textiles by 20th century Nova Scotia folk arti...
The authors outline the development of ceramic sculpture in Western Canada, the influence of Funk Ar...
Foshay comments upon selected works from 1820 to the present, reflecting on the vitality of newer fo...
Dannatt explores Delvoye's sense of wit over humour and connects aspects of his work to Eco's New Me...
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
Relating Sankawa's work to his country of origin, Beks considers the artist's sculptures in relation...
Silverberg briefly notes the tradition of contemporary ceramics in Quebec. Biographical notes on 11 ...
Catalogue of an exhibition consisting of sculptures by Nova Scotia artists Delva, Gill and Greer. To...
Holme's analysis of Delva's exhibition focuses on issues of content and containment in relation to m...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Metcalfe's extended essay embraces a wide range of sources and subjects, and amounts to a rumination...
Johnstone discusses Saulnier's recent sculptures in terms of representation, bricolage, quotation an...
Curator Laurette discusses the works of 15 Acadian artists in relation to sculpture, folk art, paint...
The authors demonstrate how Delorme's sculptural work evokes the industrial realm (St-Pierre's text ...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
Discussing carving, painting, decorated furniture and textiles by 20th century Nova Scotia folk arti...
The authors outline the development of ceramic sculpture in Western Canada, the influence of Funk Ar...
Foshay comments upon selected works from 1820 to the present, reflecting on the vitality of newer fo...
Dannatt explores Delvoye's sense of wit over humour and connects aspects of his work to Eco's New Me...
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
Relating Sankawa's work to his country of origin, Beks considers the artist's sculptures in relation...
Silverberg briefly notes the tradition of contemporary ceramics in Quebec. Biographical notes on 11 ...