Add to ORKGSilverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound sculptures. The artist reflects on the differences between the auditory and the visual. Biographical notes
Bosseur analyzes musical notation, sound sculpture, performance, and "intermedia" experiments which ...
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded env...
Plus connu comme ethnologue que comme musicologue, André Schaeffner (1895-1980) a adopté, dans ses t...
Silverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound ...
National audienceL'objet sonore n'existe pas sans la notion phénoménologique d'écoute réduite. Elle ...
In this chapter, revisiting the innovative approach to musical research undertaken by the French pio...
‘Pierre Schaeffer's Typo-Morphology of Sonic Objects’ proposes to present to the English-speaking re...
Sylvie Dallet, Pierre Schaeffer and the Revolution of Concrete Music Concrete music appears in the t...
An analysis of the relationship between Pierre Schaeffer and the musical avantgarde of 1953, with pa...
Pierre Schaeffer's magnum opus "Traité des objets musicaux " (1) was built on a struc...
My Life on Earth and Elsewhere is R. Murray Schafer’s autobiography. Murray Schafer is a talented co...
Canadian composer and acoustic ecologist R. Murray Schafer is known for his outdoor works. Other sch...
Cette recherche porte sur la manière dont le « son » s’est imposé comme objet spécifique dans les ar...
Young’s descriptive analysis of sound sculptures by six Ontario artists draws attention to how the p...
Cette thèse porte sur le concept d’objet sonore, élaboré par le fondateur du mouvement esthétique no...
Bosseur analyzes musical notation, sound sculpture, performance, and "intermedia" experiments which ...
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded env...
Plus connu comme ethnologue que comme musicologue, André Schaeffner (1895-1980) a adopté, dans ses t...
Silverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound ...
National audienceL'objet sonore n'existe pas sans la notion phénoménologique d'écoute réduite. Elle ...
In this chapter, revisiting the innovative approach to musical research undertaken by the French pio...
‘Pierre Schaeffer's Typo-Morphology of Sonic Objects’ proposes to present to the English-speaking re...
Sylvie Dallet, Pierre Schaeffer and the Revolution of Concrete Music Concrete music appears in the t...
An analysis of the relationship between Pierre Schaeffer and the musical avantgarde of 1953, with pa...
Pierre Schaeffer's magnum opus "Traité des objets musicaux " (1) was built on a struc...
My Life on Earth and Elsewhere is R. Murray Schafer’s autobiography. Murray Schafer is a talented co...
Canadian composer and acoustic ecologist R. Murray Schafer is known for his outdoor works. Other sch...
Cette recherche porte sur la manière dont le « son » s’est imposé comme objet spécifique dans les ar...
Young’s descriptive analysis of sound sculptures by six Ontario artists draws attention to how the p...
Cette thèse porte sur le concept d’objet sonore, élaboré par le fondateur du mouvement esthétique no...
Bosseur analyzes musical notation, sound sculpture, performance, and "intermedia" experiments which ...
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded env...
Plus connu comme ethnologue que comme musicologue, André Schaeffner (1895-1980) a adopté, dans ses t...