Add to ORKGA brief discussion on the ills of portraiture painters. Includes a poem dedicated to Squires. Biographical notes. 7 bibl. ref
Individuals photographed, if any, have been identified within the title from left to right
Individuals photographed, if any, have been identified within the title from left to right
In the early 1660s Samuel Pepys discovered that commissioning portraits could be an enjoyable and hi...
A brief discussion on the ills of portraiture painters. Includes a poem dedicated to Squires. Biogra...
Goodridge situates the painter's work within the tradition of landscape art. Biographical notes. Art...
Discussing Squires' landscape painting, Cook (a close personal friend of the artist) interprets the ...
Wallace recounts the events in Trottier’s career as an artist, the moments where it intersected with...
Chester comments about artist's statements. Images document the making of a painting. Biographical n...
Grouping eight artists working in portraiture, Aarons briefly discusses the reemergence of portraitu...
Swain describes the historical position of the portraitist and highlights painterly influences in Do...
Thomas Gainsborough, John Campbell, 4th Duke of Argyll, about 1693 - 1770. Soldier, 1767, Edinburgh,...
Individuals photographed, if any, have been identified within the title from left to right
Catalogue for a survey exhibition of works by Squires – paintings, drawings, prints, sculptures and ...
Abstract: Pastel portraits by Robert HollingsworthScope and Content Note: This collection contains p...
Imprint varies slightly.Vol.2-3 have title: The biographical mirrour ... with some account of their ...
Individuals photographed, if any, have been identified within the title from left to right
Individuals photographed, if any, have been identified within the title from left to right
In the early 1660s Samuel Pepys discovered that commissioning portraits could be an enjoyable and hi...
A brief discussion on the ills of portraiture painters. Includes a poem dedicated to Squires. Biogra...
Goodridge situates the painter's work within the tradition of landscape art. Biographical notes. Art...
Discussing Squires' landscape painting, Cook (a close personal friend of the artist) interprets the ...
Wallace recounts the events in Trottier’s career as an artist, the moments where it intersected with...
Chester comments about artist's statements. Images document the making of a painting. Biographical n...
Grouping eight artists working in portraiture, Aarons briefly discusses the reemergence of portraitu...
Swain describes the historical position of the portraitist and highlights painterly influences in Do...
Thomas Gainsborough, John Campbell, 4th Duke of Argyll, about 1693 - 1770. Soldier, 1767, Edinburgh,...
Individuals photographed, if any, have been identified within the title from left to right
Catalogue for a survey exhibition of works by Squires – paintings, drawings, prints, sculptures and ...
Abstract: Pastel portraits by Robert HollingsworthScope and Content Note: This collection contains p...
Imprint varies slightly.Vol.2-3 have title: The biographical mirrour ... with some account of their ...
Individuals photographed, if any, have been identified within the title from left to right
Individuals photographed, if any, have been identified within the title from left to right
In the early 1660s Samuel Pepys discovered that commissioning portraits could be an enjoyable and hi...