Add to ORKGCatalogue of a major retrospective of Hiller's multi-media installations (photography, automatic writing, altered wallpapers, video, etc.) which emerge from her sensibility as a trained anthropologist and tackle issues of language, gender, desire and death. Lippard sites Hiller's simultaneous cultural overview and participation, offering a detailed analysis of her production. Statements by the artist. 9 bibl. ref
Catalogue documenting two exhibitions by Magor: “Deep Woods” (1998-99) and “Stores” (2000). Tousley’...
Accompanying a retrospective exhibition of Cardinal-Schubert's paintings and installations from 1977...
Excerpt from book chapter: Susan Hiller stated in a 2005 interview that what drew her ‘to look agai...
Catalogue of a major retrospective of Hiller's multi-media installations (photography, automatic wri...
A former anthropologist, Susan Hiller has been a pioneer in exploring the arena between the art doma...
The premise of the ‘Positions’ series ‘to question artistic and curatorial practices from the singul...
This feature-length article was published to coincide with ‘Susan Hiller: Recall’, a major retrospec...
MOT International is delighted to present the first solo exhibition of Susan Hiller in Belgium. Accl...
Exploring the margins of representability, pushing beyond the limits and limitations of retinality, ...
In her sensorially immersive five-screen video work, Psi Girls (1999) UK-based American artist Susan...
Through writing, curating, and social and cultural activism, Lucy Lippard has brought awareness to t...
Guest discusses the reflection on representation and death in Hiller's installation which documents ...
Following a history of the Women in the Arts group, Lippard discusses discrimination in the arts, th...
Through the work of 11 women artists, this catalogue explores the convergence, in the early 1970s, o...
An analysis of Hiller's site-responsive intervention 'At the Freud Museum' (1994) as an invocation o...
Catalogue documenting two exhibitions by Magor: “Deep Woods” (1998-99) and “Stores” (2000). Tousley’...
Accompanying a retrospective exhibition of Cardinal-Schubert's paintings and installations from 1977...
Excerpt from book chapter: Susan Hiller stated in a 2005 interview that what drew her ‘to look agai...
Catalogue of a major retrospective of Hiller's multi-media installations (photography, automatic wri...
A former anthropologist, Susan Hiller has been a pioneer in exploring the arena between the art doma...
The premise of the ‘Positions’ series ‘to question artistic and curatorial practices from the singul...
This feature-length article was published to coincide with ‘Susan Hiller: Recall’, a major retrospec...
MOT International is delighted to present the first solo exhibition of Susan Hiller in Belgium. Accl...
Exploring the margins of representability, pushing beyond the limits and limitations of retinality, ...
In her sensorially immersive five-screen video work, Psi Girls (1999) UK-based American artist Susan...
Through writing, curating, and social and cultural activism, Lucy Lippard has brought awareness to t...
Guest discusses the reflection on representation and death in Hiller's installation which documents ...
Following a history of the Women in the Arts group, Lippard discusses discrimination in the arts, th...
Through the work of 11 women artists, this catalogue explores the convergence, in the early 1970s, o...
An analysis of Hiller's site-responsive intervention 'At the Freud Museum' (1994) as an invocation o...
Catalogue documenting two exhibitions by Magor: “Deep Woods” (1998-99) and “Stores” (2000). Tousley’...
Accompanying a retrospective exhibition of Cardinal-Schubert's paintings and installations from 1977...
Excerpt from book chapter: Susan Hiller stated in a 2005 interview that what drew her ‘to look agai...