Add to ORKGThe discovery of Etidlooie's drawings in the West Baffin Eskimo Cooperative in Cape Dorset by the author precipitated the exhibition of meticulously draughted work by this little-known artist. Through a discussion of his drawings, most done with coloured pencil or felt-tip markers, and the information obtained from friends and fellow artists as well as tapes made by Etidlooie himself, Jean Blodgett illustrates the artist's deep love and concern for his homeland and the traditionnal Inuit way of life
On the occasion of an exhibition gathering 152 works from the Ian Lindsay Collection, the authors tr...
This richly illustrated catalogue was published to accompany an exhibition of Inuit art from the Can...
In this article Berlo examines several drawings by the Cape Dorset artists Napachie Pootoogook. Thes...
Documentation of drawings by 33 Inuit artists from Arctic Bay, Clyde River, Igloolik and Pond Inlet....
Greenwood briefly describes Pudlat's life and examines aspects of Inuit culture that affect his work...
Catalogue published to accompany an exhibition of drawings by two Inuit artists. Zavediuk’s brief in...
Relying on extensive field work, both in remote Arctic communities and outpost camps, and inside Can...
Since the late-1940s, Canadian Inuit (Eskimo) artists have been recognized for their aesthetically s...
Gustavison provides an extensive history of the Canadian Eskimo Arts Council (1967-1989), a federall...
Two problems in the appreciation of Inuit art are firstly, the commercial cornerstone and, secondly,...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
experienced artists, right across the Arctic and ultimately forced the abandonment of many of these ...
"Itee Pootoogook (1951-2014) was part of a generation, including most famously his cousin Annie Poot...
The Houstons describe their experiences at Cape Dorset in 1951; Eber relates events from the history...
Swinton compares the carving, printing and drawing styles of the Inuit art cooperatives represented ...
On the occasion of an exhibition gathering 152 works from the Ian Lindsay Collection, the authors tr...
This richly illustrated catalogue was published to accompany an exhibition of Inuit art from the Can...
In this article Berlo examines several drawings by the Cape Dorset artists Napachie Pootoogook. Thes...
Documentation of drawings by 33 Inuit artists from Arctic Bay, Clyde River, Igloolik and Pond Inlet....
Greenwood briefly describes Pudlat's life and examines aspects of Inuit culture that affect his work...
Catalogue published to accompany an exhibition of drawings by two Inuit artists. Zavediuk’s brief in...
Relying on extensive field work, both in remote Arctic communities and outpost camps, and inside Can...
Since the late-1940s, Canadian Inuit (Eskimo) artists have been recognized for their aesthetically s...
Gustavison provides an extensive history of the Canadian Eskimo Arts Council (1967-1989), a federall...
Two problems in the appreciation of Inuit art are firstly, the commercial cornerstone and, secondly,...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
experienced artists, right across the Arctic and ultimately forced the abandonment of many of these ...
"Itee Pootoogook (1951-2014) was part of a generation, including most famously his cousin Annie Poot...
The Houstons describe their experiences at Cape Dorset in 1951; Eber relates events from the history...
Swinton compares the carving, printing and drawing styles of the Inuit art cooperatives represented ...
On the occasion of an exhibition gathering 152 works from the Ian Lindsay Collection, the authors tr...
This richly illustrated catalogue was published to accompany an exhibition of Inuit art from the Can...
In this article Berlo examines several drawings by the Cape Dorset artists Napachie Pootoogook. Thes...