Add to ORKGThe Houstons describe their experiences at Cape Dorset in 1951; Eber relates events from the history of Cape Dorset; Ryan documents the history of the West Baffin Co-operative; Inuit artist Pootoogook describes the situation of the carver; and Blodgett discusses characteristics particular to Cape Dorset sculpture. Brief biographical notes on 40 artists. 40 bibl. ref
The territory in the Canadian Arctic Archipelago known to have been occupied by the Dorset people ha...
Houston relates his experience at Port Harrison in 1948; Myers documents the history of the art comm...
ABSTRACT. Several recent discoveries, made possible by exceptional conditions of preservation at the...
Catalogue for an exhibition featuring prints by four Cape Dorset artists. Bagg's essay examines how ...
On the occasion of an exhibition of drawings by 39 Cape Dorset artists, Ryan (in an interview with B...
Catalogue to accompany a retrospective exhibition of 40 carvings by Cape Dorset artist Latcholassie ...
Gustavison provides an extensive history of the Canadian Eskimo Arts Council (1967-1989), a federall...
Documentation of drawings by 33 Inuit artists from Arctic Bay, Clyde River, Igloolik and Pond Inlet....
Ryan introduces the 1988 Cape Dorset Collection of inuit graphic art, comprised of three artists pro...
To accompany an exhibition of works by nine Inuit women sculptors and printmakers, texts by Freeman,...
Greenwood briefly describes Pudlat's life and examines aspects of Inuit culture that affect his work...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
The Cultural Affinities of the Newfoundland EskimoIntroduction. Résumé -- Acknowledgements -- Orient...
Driscoll traces the history of the Inuit stressing the interaction of white and Inuit cultures. Gély...
beothukRecent archaeological excavation at Cape Freels shows that the Beothucks were living in c...
The territory in the Canadian Arctic Archipelago known to have been occupied by the Dorset people ha...
Houston relates his experience at Port Harrison in 1948; Myers documents the history of the art comm...
ABSTRACT. Several recent discoveries, made possible by exceptional conditions of preservation at the...
Catalogue for an exhibition featuring prints by four Cape Dorset artists. Bagg's essay examines how ...
On the occasion of an exhibition of drawings by 39 Cape Dorset artists, Ryan (in an interview with B...
Catalogue to accompany a retrospective exhibition of 40 carvings by Cape Dorset artist Latcholassie ...
Gustavison provides an extensive history of the Canadian Eskimo Arts Council (1967-1989), a federall...
Documentation of drawings by 33 Inuit artists from Arctic Bay, Clyde River, Igloolik and Pond Inlet....
Ryan introduces the 1988 Cape Dorset Collection of inuit graphic art, comprised of three artists pro...
To accompany an exhibition of works by nine Inuit women sculptors and printmakers, texts by Freeman,...
Greenwood briefly describes Pudlat's life and examines aspects of Inuit culture that affect his work...
Lumsden outlines the history of drawing and carving in the Arctic. The impact of carving and printma...
The Cultural Affinities of the Newfoundland EskimoIntroduction. Résumé -- Acknowledgements -- Orient...
Driscoll traces the history of the Inuit stressing the interaction of white and Inuit cultures. Gély...
beothukRecent archaeological excavation at Cape Freels shows that the Beothucks were living in c...
The territory in the Canadian Arctic Archipelago known to have been occupied by the Dorset people ha...
Houston relates his experience at Port Harrison in 1948; Myers documents the history of the art comm...
ABSTRACT. Several recent discoveries, made possible by exceptional conditions of preservation at the...