Caroline Hancock’s Joanna Drew and the Art of Exhibitions tells of one woman’s life and work behind the scenes to support art and artists in Britain the second half of the 20th century. The book is both the celebration of a remarkable woman and art professional, and a fascinating journey into those decades when British art and the art presented in Britain were supported and encouraged by public servants—no matter how co-opted Raymond Williams might have then considered this consensual adminis..
'Contemporary British Women Artists: In their own words' features a series of interviews. It present...
his book aims to give new insights into the multifarious worlds of Angela Carter and to re-assess he...
This illustrated compilation of commissioned authoritative essays explores the transition from the H...
What contribution did women artists make during the Second World War? Why is their work not widely d...
Alicia Foster (Surrey Institute of Art and Design, UK, now University for the Creative Arts) present...
This exhibition book traces the connection between Britain and the Caribbean in the visual arts from...
In this event Ruth Millington (Head of Careers, Sotheby’s Institute of Art London) discusses her fir...
Alicia Foster was commissioned to write this essay to a survey show of British artists, both histori...
Modern art has a tendency to confuse viewers appearing significant only to those privy to its ethere...
Kathleen Mullaniff, Senior Lecturer BA Fine Art, exhibited her artist book ‘in a walled garden’ on t...
This book was produced in parallel to the research for an exhibition with the same title I curated f...
The Visitors’ Book kept by Sir Richard and Lady Wallace at Hertford House encompasses 245 pages with...
A single-authored book offering an overview, since the 1980s, of artists acting in the role of curat...
Critical Voices is a fascinating account of women writing about art in Britain at the turn of the tw...
This book was published following the success of the Tate Britain exhibition 'A Century of Artists’ ...
'Contemporary British Women Artists: In their own words' features a series of interviews. It present...
his book aims to give new insights into the multifarious worlds of Angela Carter and to re-assess he...
This illustrated compilation of commissioned authoritative essays explores the transition from the H...
What contribution did women artists make during the Second World War? Why is their work not widely d...
Alicia Foster (Surrey Institute of Art and Design, UK, now University for the Creative Arts) present...
This exhibition book traces the connection between Britain and the Caribbean in the visual arts from...
In this event Ruth Millington (Head of Careers, Sotheby’s Institute of Art London) discusses her fir...
Alicia Foster was commissioned to write this essay to a survey show of British artists, both histori...
Modern art has a tendency to confuse viewers appearing significant only to those privy to its ethere...
Kathleen Mullaniff, Senior Lecturer BA Fine Art, exhibited her artist book ‘in a walled garden’ on t...
This book was produced in parallel to the research for an exhibition with the same title I curated f...
The Visitors’ Book kept by Sir Richard and Lady Wallace at Hertford House encompasses 245 pages with...
A single-authored book offering an overview, since the 1980s, of artists acting in the role of curat...
Critical Voices is a fascinating account of women writing about art in Britain at the turn of the tw...
This book was published following the success of the Tate Britain exhibition 'A Century of Artists’ ...
'Contemporary British Women Artists: In their own words' features a series of interviews. It present...
his book aims to give new insights into the multifarious worlds of Angela Carter and to re-assess he...
This illustrated compilation of commissioned authoritative essays explores the transition from the H...