Alicia Foster was commissioned to write this essay to a survey show of British artists, both historical and contemporary, which explored their work in the context of shifting ideas of national identity, and in an international context. The essay on the earliest artist to be included, servered to loacte the artist, and the exhibition, within the context of national identity and culutral border crossings, and brought the idea of British art and its complex history to a Norwegian audience
The subject of my work are international contexts that had a mayor impact in creating the visual art...
Britishness conveyed through visual art suggests both a spectrum of alliance and an assumption of co...
Five international artists were commissioned by Claire Nichols, in collaboration with Neil Taylor an...
Does the meaning of a work of art change as it crosses a border from one place to another? Can art e...
Alicia Foster (Surrey Institute of Art and Design, UK, now University for the Creative Arts) present...
This article is written for a ‘global’ theme of British Art Newsletter. It contributes to the pieces...
An exhibition of work by the artist Kate Smith curated by Helen Baker which included work originally...
Adventures Close to Home: the British art scene from “then” to “now” is an introductory essay to the...
Painting as a Foreign Language was a group exhibition of twenty-three British artists curated by Pro...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade Sc...
In 1984–85, The British Show, an exhibition largely made up of New British Sculpture, was curated fo...
Caroline Hancock’s Joanna Drew and the Art of Exhibitions tells of one woman’s life and work behind ...
exhibition essay Objects and Figures. Edinburgh: Fruitmarket Gallery, 1982 and Southampton: John ...
This essay examines how sculptural discourse was absent from British art shown outside of Britain in...
The subject of my work are international contexts that had a mayor impact in creating the visual art...
Britishness conveyed through visual art suggests both a spectrum of alliance and an assumption of co...
Five international artists were commissioned by Claire Nichols, in collaboration with Neil Taylor an...
Does the meaning of a work of art change as it crosses a border from one place to another? Can art e...
Alicia Foster (Surrey Institute of Art and Design, UK, now University for the Creative Arts) present...
This article is written for a ‘global’ theme of British Art Newsletter. It contributes to the pieces...
An exhibition of work by the artist Kate Smith curated by Helen Baker which included work originally...
Adventures Close to Home: the British art scene from “then” to “now” is an introductory essay to the...
Painting as a Foreign Language was a group exhibition of twenty-three British artists curated by Pro...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade Sc...
In 1984–85, The British Show, an exhibition largely made up of New British Sculpture, was curated fo...
Caroline Hancock’s Joanna Drew and the Art of Exhibitions tells of one woman’s life and work behind ...
exhibition essay Objects and Figures. Edinburgh: Fruitmarket Gallery, 1982 and Southampton: John ...
This essay examines how sculptural discourse was absent from British art shown outside of Britain in...
The subject of my work are international contexts that had a mayor impact in creating the visual art...
Britishness conveyed through visual art suggests both a spectrum of alliance and an assumption of co...
Five international artists were commissioned by Claire Nichols, in collaboration with Neil Taylor an...