This essay aims at contributing to our understanding of the nature of exhibitions, namely how and why we make them, and what they – and the things in them – might symbolize. My focus will be on exhibitions of objects in classical museums of cultural history, archaeology and ethnology/ethnography. I will discuss how scientific epistemologies and discourses, as well as the history of ideas and ideologies, are reflected in the way museums and exhibitions are organized. Theoretically, I will lean on ideas of Michel Foucault presented in his work The Order of Things (Foucault, 1991) and Power/Knowledge (Gordon 1980), but also on Mieke Bal’s Double Exposures (1996), and a few others.The Museum, the Exhibition, the Visito
The analogy of the exhibition as an experiment suggests innovative curatorial approaches that challe...
What forms of truth shaped the nineteenth-century development of public museums? What kinds of power...
In the case of ethnographic objects, meaning and context are linked to each other. Meaning is convey...
The authors concentrate on the historical development of exhibitions and their changing characterist...
This thesis presents a philosophical and historical analysis of the curated exhibition. It first giv...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
This publication explores themes of the exhibition through its terms—not, however, to confine into i...
Museums are the staging grounds of culture-a close look reveals that museums display much more than ...
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art i...
This article is concerned with visual elements of exhibition design in cultural history museums and ...
I would like to examine the role of the setting in exhibitions as it is seen in relation to the stag...
One of the reasons for the extraordinary growth of interests in museums in recent decades is that mu...
This article argues that museum exhibitions often are formed through multiple layers. It presents re...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This essay sets the exhibition ‘Magiciens de la Terre’ in the wider context of the history of exhibi...
The analogy of the exhibition as an experiment suggests innovative curatorial approaches that challe...
What forms of truth shaped the nineteenth-century development of public museums? What kinds of power...
In the case of ethnographic objects, meaning and context are linked to each other. Meaning is convey...
The authors concentrate on the historical development of exhibitions and their changing characterist...
This thesis presents a philosophical and historical analysis of the curated exhibition. It first giv...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
This publication explores themes of the exhibition through its terms—not, however, to confine into i...
Museums are the staging grounds of culture-a close look reveals that museums display much more than ...
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art i...
This article is concerned with visual elements of exhibition design in cultural history museums and ...
I would like to examine the role of the setting in exhibitions as it is seen in relation to the stag...
One of the reasons for the extraordinary growth of interests in museums in recent decades is that mu...
This article argues that museum exhibitions often are formed through multiple layers. It presents re...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This essay sets the exhibition ‘Magiciens de la Terre’ in the wider context of the history of exhibi...
The analogy of the exhibition as an experiment suggests innovative curatorial approaches that challe...
What forms of truth shaped the nineteenth-century development of public museums? What kinds of power...
In the case of ethnographic objects, meaning and context are linked to each other. Meaning is convey...